Fanzines – Creative Genius at the Grass Roots (Part Four)

Okay, here\’s the fourth and final part of my ramblings on my memories of and experiences with fanzines. This one takes us right up to the present day and the most modern fanzines.

I\’ve already mentioned how I faded away from collecting fanzines in the late-1990s, and have only really rekindled the passion for zines again over the past five years or so. I\’ve seen some really big changes since I came back to collecting fanzines again. The number of print zines has obviously declined drastically over the years, at least since I last collected fanzines on a regular basis, back in the mid-1990s. Things are obviously very different nowadays compared to how they were \”back then\”, and many former zine editors and writers have either turned professional, or moved on to different creative activities, totally unrelated to fanzines.

At one point, particularly in the 2000-2005 period, I was beginning to think that the traditional paper Doctor Who fanzine had become an extinct species (which is the main reason I didn\’t get back into them again much sooner). But fortunately there are still a few traditional paper zines out there, if you look hard enough for them, and there seems to have been a minor resurgence in Doctor Who zines in recent years, most likely as a result of the popularity of the modern Doctor Who television series.

Of the modern DW \”paper\” zines, I\’ve managed to get together a nice little collection of a few of the best:

Richard Farrell produces the excellent Plaything of Sutekh, a new A5 kid on the block, which has two issues under its belt so far. This one certainly looks like it\’s going to be a front-runner among the new breed of Doctor Who zines. Richard also produces the equally excellent Andersonic, another high-quality A5 zine dedicated to the Gerry Anderson television shows, in particular the two live shows, UFO and Space: 1999. Both of Richard\’s zines are inspired by the classic Circus, which he was a great fan of (and a contributor to, if I recall correctly). This should give you an idea of how high the quality is of both these zines.

Oliver Wake produced seven issues of the excellent Panic Moon, a sexy little A6 Doctor Who zine, before calling it a day. Most of the issues are still available from him.

Grant Bull edited three issues of Blue Box, before moving onto bigger things. Blue Box is an unashamedly retro/cheapo A5 zine, deliberately produced in the old pre-computer DTP style, paying tribute to the classic cut \’n\’ paste photocopied Doctor Who zines of yesteryear.

Kenny Smith has just put out the 12th issue of The Finished Product, an excellent A5 zine dedicated to the niche market of Big Finish audio adventures of the Doctor and his companions.

Richard Bignall has produced three issues of the classy Nothing at the End of the Lane, a huge A4 prozine of incredible quality, dedicated to behind the scenes aspects of Doctor Who. Issue three is available directly from him, and an omnibus of the first two issues is available from Lulu.com.

Colin Brockhurst and Gareth Kavanagh have put out two issues of the simply amazing Vworp Vworp!, another high-quality and colorful A4 prozine which pays tribute to the classic official Doctor Who Monthly/Magazine of days gone by.

Most of the above still have a few back issues in stock. All fans of Doctor Who, or of fanzines, or of both, should do themselves a huge favour and try out some of these zines. They cover a wide range of types, from tiny A6, through traditional A5 (both retro cut \’n\’ paste and more slick DTP), to gorgeous, full-sized A4 glossy colour prozines. They also cover an enormous range of subject matter, but each and every one of them is stuffed to the gills with amazing Doctor Who (and in the case of Andersonic, Gerry Anderson) goodness.

They\’re unmissable gems, every single one of them, and there\’s absolutely nothing on the newsstands remotely as good, as enjoyable or as deserving of your meagre pennies. Support these zines, buy a copy of each, and encourage the editors to keep producing these wonderful slices of fannish goodness. I know one thing for sure – my life would be a lot poorer and less interesting without them.

There are also many other fanzines out there, both physical/paper and electronic, most of which I haven\’t gotten around to trying out yet (but I will). Go find them, and enjoy. Happy hunting!

It’s a Geek\’s Life… (Part Two)

The Golden Years – Geek Nirvana During the Seventies

[T]he start of our teenage years is the sweet spot for the vast majority of us, particularly geeks, the beginning of what is probably the most fondly remembered period of our lives.

It\’s long enough ago that most of our memories are fond, rosy ones, but it\’s also the first time in our lives from which we retain reasonably accurate and continuous recollections of events (unlike our earlier childhood – most memories from our first decade are pretty vague and fragmented). And it is also during these years that many of us have the most fun and freedom to do what we want (after we finish our homework, of course), before adulthood arrives and the bland banalities, responsibilities and worries of “grown-up” life start to descend upon us.

I mentioned in my previous posting that my childhood was a far from happy one. Things got even worse when I was eleven years old, when my parents separated, leaving my father to raise five kids on his own. He was forced to leave his job, and our descent into poverty became even more severe. To top it all off, my father\’s health began to decline sharply after my mother left, and, as the \”oldest\”, I was shoehorned into the role of \”surrogate mother\” from this very tender age, taking over the extremely heavy responsibilities of not only looking after my father, but also the other four kids, one of whom was also very severely disabled.

To be blunt, I was a very unhappy young boy as a teenager, one who sought refuge in a world of make-believe. Any kind of an escape from this dreary and depressing reality was a welcome one, and I immersed myself in an alternate world of comics, sci-fi worlds on television, in films, and in great SF literature. I also became very preoccupied with drawing and writing.

To refer to these interests as mere “hobbies” would be a complete understatement. They were obsessions, a vital lifeline for me, and I depended on them utterly to keep me sane, when everything around me was so gloomy and depressing. Since childhood, and throughout my entire life, these “obsessions” have been entrenched as fundamental pillars of my personality and way of thinking, and I simply cannot imagine my life without them.

I may already have been a proto-geek from a much earlier period in my life, but the beginning of my teens marks the time from which I can seriously start referring to myself as a true, hardcore geek. Things may not have been rosy on the domestic and personal front, but my hobbies and obsessions certainly first started to kick into overdrive in a very big way at this age, almost certainly to compensate for my miserable \”Real Life\”. I was also now growing old enough to be much more sophisticated, systematic and discerning when it came to what I was “into”. And what I was into, and I mean REALLY into, was the Holy Trinity of SF literature, Sci-Fi on television and in films, and Comics.

All through the 1970\’s, up until around 1977-78, was a “Golden Age” for me, from a geek perspective anyway, the completely opposing mirror image of my crappy \”real life\”. All during my teens there was a steady procession of classic sci-fi TV shows and films on local television, and although I had my favourites – Doctor Who, Star Trek, UFO, The Time Tunnel – I loved them all to a lesser or greater extent.

By this stage of my life I was also a totally obsessive reader of both comics (particularly the Marvel UK reprint comics) and SF literature. I\’d started off initially in my pre-teens with Wells and Verne, then moving onto Clarke, Asimov, Heinlein, and anything else that I could read. By my early teens, the whole world of SF literature was my oyster. I was discovering great new (to me, anyway) authors like H. Beam Piper, Cordwainer Smith, Cyril M. Kornbluth, Frederik Pohl, John W. Campbell, Alfred Bester, Henry Kuttner, C. L. Moore, Leigh Brackett, Edmond Hamilton, Jack Williamson, Stanley G. Weinbaum, Robert E. Howard, Edgar Rice Burroughs, Clark Ashton Smith and many, many others.

By my mid-teens, I was neck-deep in my alternate geek world, spending every available second on my hobbies. I just couldn’t get enough of the whole Sci-Fi/Comics/SF Literature thing, and it seemed like the good days would never end.

But I was wrong.

To Be Continued…

It’s a Geek\’s Life… (Part Two)

The Golden Years – Geek Nirvana During the Seventies

The start of our teenage years is the sweet spot for the vast majority of us, particularly geeks, the beginning of what is probably the most fondly remembered period of our lives.

It\’s long enough ago that most of our memories are fond, rosy ones, but it\’s also the first time in our lives from which we retain reasonably accurate and continuous recollections of events (unlike our earlier childhood – most memories from our first decade are pretty vague and fragmented). And it is also during these years that many of us have the most fun and freedom to do what we want (after we finish our homework, of course), before adulthood arrives and the bland banalities, responsibilities and worries of “grown-up” life start to descend upon us.

I mentioned in my previous posting that my childhood was a far from happy one. Things got even worse when I was eleven years old, when my parents separated, leaving my father to raise five kids on his own. He was forced to leave his job, and our descent into poverty became even more severe. To top it all off, my father\’s health began to decline sharply after my mother left, and, as the \”oldest\”, I was shoehorned into the role of \”surrogate mother\” from this very tender age, taking over the extremely heavy responsibilities of not only looking after my father, but also the other four kids, one of whom was also very severely disabled.

To be blunt, I was a very unhappy young boy as a teenager, one who sought refuge in a world of make-believe. Any kind of an escape from this dreary and depressing reality was a welcome one, and I immersed myself in an alternate world of comics, sci-fi worlds on television, in films, and in great SF literature. I also became very preoccupied with drawing and writing.

To refer to these interests as mere “hobbies” would be a complete understatement. They were obsessions, a vital lifeline for me, and I depended on them utterly to keep me sane, when everything around me was so gloomy and depressing. Since childhood, and throughout my entire life, these “obsessions” have been entrenched as fundamental pillars of my personality and way of thinking, and I simply cannot imagine my life without them.

I may already have been a proto-geek from a much earlier period in my life, but the beginning of my teens marks the time from which I can seriously start referring to myself as a true, hardcore geek. Things may not have been rosy on the domestic and personal front, but my hobbies and obsessions certainly first started to kick into overdrive in a very big way at this age, almost certainly to compensate for my miserable \”Real Life\”. I was also now growing old enough to be much more sophisticated, systematic and discerning when it came to what I was “into”. And what I was into, and I mean REALLY into, was the Holy Trinity of SF literature, Sci-Fi on television and in films, and Comics.

All through the 1970\’s, up until around 1977-78, was a “Golden Age” for me, from a geek perspective anyway, the completely opposing mirror image of my crappy \”real life\”. All during my teens there was a steady procession of classic sci-fi TV shows and films on local television, and although I had my favourites – Doctor Who, Star Trek, UFO, The Time Tunnel – I loved them all to a lesser or greater extent.

By this stage of my life I was also a totally obsessive reader of both comics (particularly the Marvel UK reprint comics) and SF literature. I\’d started off initially in my pre-teens with Wells and Verne, then moving onto Clarke, Asimov, Heinlein, and anything else that I could read. By my early teens, the whole world of SF literature was my oyster. I was discovering great new (to me, anyway) authors like H. Beam Piper, Cordwainer Smith, Cyril M. Kornbluth, Frederik Pohl, John W. Campbell, Alfred Bester, Henry Huttner, C. L. Moore, Leigh Brackett, Edmond Hamilton, Jack Williamson, Stanley G. Weinbaum, Robert E. Howard, Edgar Rice Burroughs, Clark Ashton Smith and many, many others.

By my mid-teens, I was neck-deep in my alternate geek world, spending every available second on my hobbies. I just couldn’t get enough of the whole Sci-Fi/Comics/SF Literature thing, and it seemed like the good days would never end.

But I was wrong.

To Be Continued…