Some New Books – January 2016

I haven\’t bought any new SF books in ages now, but, with Christmas behind me and a few quid spare in my pocket, I took the notion over the past couple of weeks to trawl Ebay.co.uk for some books. Actually, none of them are \”new\”, as there\’s not a lot of modern SF that I enjoy, with the exception of some anthologies of short fiction and a very narrow range of authors and sub-genres. But I did find two second hand/used anthologies of classic Golden Age stuff, which is much more my kind of thing, one collection of Isaac Asimov\’s fantasy stories, essays and articles, and, finally, one \”Best of the Year\” SF anthology, from 2007.

  • SCIENCE FICTION: THE BEST OF THE YEAR 2007 EDITION edited by Rich Horton (trade paperback, Prime Books, Germantown MD, US, 2007, ISBN-10: 0-8095-6297-9, ISBN-13: 978-0-8095-6297-8)
  • MAGIC: THE FINAL FANTASY COLLECTION by Isaac Asimov (Paperback, Voyager, London, 1997, ISBN: 0-00-648203-1)
  • GREAT TALES OF THE GOLDEN AGE OF SCIENCE FICTION edited by Isaac Asimov, Charles G. Waugh and Martin H. Greenberg (hardback, Galahad Books, New York, 1991, ISBN: 0-88365-772-4)
  • THE GOLDEN AGE OF SCIENCE FICTION edited by Kingsley Amis (Large Format Paperback, Penguin Books, 1983, first published by Hutchinson & Co., 1981)

The SCIENCE FICTION: THE BEST OF THE YEAR 2007 EDITION trade paperback is a nice anthology of reasonably recent (less than ten years old) stories, twelve in all, five from Asimov\’s SF Magazine, two from F&SF, and the other five from five different sources both magazines and books. I haven\’t read this one yet, but there are a few authors in it that I usually like (Robert Reed, Walter Jon Williams, Ian Watson, Robert Charles Wilson), and Rich Horton rarely puts together a bad \”Best SF\” anthology.

MAGIC: THE FINAL FANTASY COLLECTION is a single-author collection of Isaac Asimov\’s fantasy (as opposed to SF) short fiction. It\’s also notable for collecting a number of Asimov\’s essays and articles about fantasy and other subjects. It\’s a bit of a strange one, this, although I found it an interesting mix of articles and fiction. And Asimov\’s fantasy is just as logical as his science fiction, with its own strict internal rules and limitations, which made it easy for me to read, despite the fact that I\’m not a huge fan of reading fantasy.

GREAT TALES OF THE GOLDEN AGE OF SCIENCE FICTION is a cracking anthology of classic Golden Age SF put together by the ever-reliable trio of Isaac Asimov, Charles G. Waugh and Martin H. Greenberg. Nine stories in all, almost all of them published in Astounding during the 1941-1947 timeframe. Some of the biggest names in SF are in this one – Isaac Asimov, A.E. van Vogt, Jack Williamson, Theodore Sturgeon, Lester del Rey, C.L. Moore, Ross Rocklynne, A. Bertram Chandler, T.L. Sherred – and with some of their most classic stories.

THE GOLDEN AGE OF SCIENCE FICTION edited by Kingsley Amis is another cracking anthology, with a completely different group of stories and authors to the previous anthology. Only Asimov appears in both, but with different stories. And there are seventeen stories in this one, almost twice as many as the other anthology. Aside from Isaac Asimov, we\’ve got Arthur C. Clarke, Poul Anderson, Frederik Pohl, Brian W. Aldiss, Cordwainer Smith, H. Beam Piper, Harry Harrison, Damon Knight, Anthony Boucher, James Blish, Robert Sheckley, J.G. Ballard, Kurt Vonnegut Jr., Jerome Bixby, F.L. Wallace and Philip Latham. That is a hugely impressive line-up of SF author talent with some of their most classic stories.

The Kingsley Amis anthology is a completely different kind of book to the other one edited by Asimov, Waugh and Greenberg. I wouldn\’t really consider it a real \”Golden Age\” anthology at all, as the stories are from the 1950s and 1960s (there\’s even one from 1979!), rather than the 1940s (the actual \”Golden Age of SF\” is usually considered to be circa 1938-1950, when Campbell\’s Astounding ruled the roost unchallenged, and before the appearance of F&SF and Galaxy). The stories are therefore slightly more sophisticated than those in the other book, with much less of an emphasis on stories from Astounding, and a much higher percentage coming from F&SF, Galaxy and other sources. The stories are of the highest calibre, and the only criticism I would have is none of them actually qualify as \”Golden Age\” SF, as they come from a later period, and there are several of the 1960s stories that even come dangerously close to belonging to the New Wave. I guess Amis\’ interpretation of \”Golden Age\” SF is a bit different to the rest of us, and maybe a bit more of a personal one. 🙂

All in all, a nice little batch of books. I\’ve gotten the bug back again for hunting down SF books. I must get back on Ebay to see if I can find a few more classic anthologies.

Some New Books: April – August 2014

This month marks the first anniversary of the first post to this blog, which has chugged along with at least one post per month, each month, since the blog began. Considering the fact that I believed that this might just be a short-lived offshoot of my main blog, and that it most likely would be folded back into that blog relatively quickly, I\’m quite pleased that it has made it to the year mark. 🙂

Anyway, here\’s an update on the books that I\’ve picked up from Ebay UK, Amazon UK and elsewhere, over the period roughly April – August of this year:

Novels:

  • RAINBOW MARS by Larry Niven (hardback)
  • THE MEMORY OF SKY: A GREAT SHIP TRILOGY by Robert Reed (trade paperback)
  • FIRE WITH FIRE by Charles E. Gannon (paperback)

Collections:

  • THE COLLECTED STORIES OF VERNOR VINGE by Vernor Vinge (trade paperback)
  • THE FLIGHT OF THE HORSE by Larry Niven (paperback)

Anthologies:

  • YEAR\’S BEST SF 11 edited by David G. Hartwell and Kathryn Cramer (paperback)
  • YEAR\’S BEST SF 12 edited by David G. Hartwell and Kathryn Cramer (paperback)
  • THE YEAR\’S BEST SCIENCE FICTION & FANTASY 2014 edited by Rich Horton (trade paperback)
  • SPACE OPERA edited by Rich Horton (trade paperback)
  • THRILLING WONDER STORIES Volume 1 edited by Winston Engle (trade paperback)
  • THRILLING WONDER STORIES Volume 2 edited by Winston Engle (trade paperback)
  • AMAZING STORIES – GIANT 35TH ANNIVERSARY ISSUE – APRIL 1961 (2014 REISSUE) edited by Steve Davidson & Jean Marie Stine (trade paperback)
  • THE MAMMOTH BOOK OF MINDBLOWING SF edited by Mike Ashley (trade paperback)
  • THE MAMMOTH BOOK OF EXTREME SCIENCE FICTION edited by Mike Ashley (trade paperback)
  • THE MAMMOTH BOOK OF GOLDEN AGE SCIENCE FICTION edited by Isaac Asimov, Charles G. Waugh and Martin H. Greenberg (trade paperback)
  • ALIEN\’S: RECENT ENCOUNTERS edited by Alex Dally MacFarlane (trade paperback)
  • FUTURE LOVECRAFT edited by Silvia Moreno-Garcia & Paula R. Stiles (trade paperback)
  • DEVILS AND DEMONS – A TREASURY OF FIENDISH TALES OLD & NEW edited by Marvin Kaye (hardback)
  • MASTERPIECES OF TERROR AND THE SUPERNATURAL – A TREASURY OF SPELLBINDING TALES OLD & NEW edited by Marvin Kaye (hardback)
  • THE GREAT SF STORIES 1 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 4 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 5 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 7 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 9 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 10 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 15 by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE GREAT SF STORIES 16 by Isaac Asimov and Martin H. Greenberg (paperback)

Non-Fiction:

  • THE FORREST J. ACKERMAN OEUVRE by Christopher M. O\’Brien (trade paperback)

Aside from two novels, Chuck Gannon\’s excellent FIRE WITH FIRE and Larry Niven\’s equally excellent RAINBOW MARS, one omnibus of three novels, Robert Reed\’s \”Great Ship\” Trilogy THE MEMORY OF SKY, two author short story collections, Larry Niven\’s THE FLIGHT OF THE HORSE and THE COLLECTED STORIES OF VERNOR VINGE, plus one non-fiction book, THE FORREST J. ACKERMAN OEUVRE, it\’s all anthologies this time around.

An interesting trend seems to be running right now, with anthologies of material from classic SF magazines being republished. Here we have two volumes of THRILLING WONDER STORIES and the 2014 reissue of the classic April 1961 35th Anniversary issue of AMAZING STORIES. Lovely stuff.

I\’ve also picked up several horror anthologies, DEVILS AND DEMONS, MASTERPIECES OF TERROR AND THE SUPERNATURAL and FUTURE LOVECRAFT, which is unusual for me, as ninety-nine percent of my fiction reading is SF. But I\’ve always had a soft spot for anything Lovecraft, so FUTURE LOVECRAFT should be right up my street. I\’m not fussed on modern horror & supernatural stuff, but DEVILS AND DEMONS is made up of all older, classic horror stories, which I really like, as is its sister anthology, MASTERPIECES OF TERROR AND THE SUPERNATURAL. These should both be great reads.

There are three more anthologies of MAMMOTH books in among this lot, which are very nice indeed. I love those MAMMOTH anthologies. There are also two more anthologies from the ever-reliable Rich Horton – his most recent (2014) edition of THE YEAR\’S BEST SCIENCE FICTION & FANTASY, and SPACE OPERA, a nice fat anthology of excellent space opera tales culled from more recent years. And to round off the newer books, there\’s Alex Dally MacFarlane\’s ALIEN\’S: RECENT ENCOUNTERS, collecting some of the best recent SF stories covering that subject.

Finally, I\’ve been on a bit of a roll tracking down Asimov\’s classic THE GREAT SF STORIES series, which covers a massive 25 volumes of SF paperback goodness. Last time out, I\’d only managed to procure one of them, Volume 19. But sheer determination will always win through, and this time around, I\’ve picked up another eight volumes in the series, and just a few days ago I nabbed another three volumes, which haven\’t arrived yet. That\’s 12 out of the 25 volumes so far in only 3-4 months, so a pretty good start. I intend to keep going until I get all 25 volumes, as the OCD/obsessive collector in me will not allow anything else (I go nuts until I fill in any gaps in my collection).

So even more anthologies than usual. But I can\’t complain, as I love my short fiction. 🙂

Some New Books, First Quarter 2014

Here are some SF books, some new, some old, that I\’ve picked up over the past two or three months from various places such as Ebay UK, Amazon UK and my regular supplier of comics and books in the US:

Novels:

  • THE SPACE MACHINE & A DREAM OF WESSEX Omnibus by Christopher Priest (paperback)
  • STARFARERS by Poul Anderson (hardback)
  • HAWKMOON: THE HISTORY OF THE RUNESTAFF Omnibus by Michael Moorcock (trade paperback)
  • THE LIGHT AGES by Ian R. MacLeod (paperback)
  • THE SPACE TRILOGY Omnibus by Arthur C. Clarke (trade paperback)

Collections:

  • THE BEST OF JACK WILLIAMSON (paperback)
  • THE EARLY WILLIAMSON (hardback)
  • BREATHMOSS AND OTHER EXHALATIONS by Ian R. MacLeod (trade paperback)

Anthologies:

  • THE GREAT SF STORIES 19 edited by Isaac Asimov and Martin H. Greenberg (paperback)
  • THE MAMMOTH BOOK OF TIME TRAVEL SF edited by Mike Ashley (trade paperback)
  • RAYGUN CHRONICLES – SPACE OPERA FOR A NEW AGE edited by Bryan Thomas Schmidt (trade paperback)
  • GREAT TALES OF SCIENCE FICTION edited by Robert Silverberg and Martin H. Greenberg (hardback)
  • THE YEAR\’S BEST SCIENCE FICTION & FANTASY 2013 edited by Rich Horton (trade paperback)
  • AFTER THE END: RECENT APOCALYPSES edited by Paula Guran (trade paperback)
  • WORLDS OF EDGAR RICE BURROUGHS edited by Mike Resnick and Robert T. Garcia (trade paperback)
  • MODERN GREATS OF SCIENCE FICTION – NINE NOVELLAS OF DISTINCTION edited by Jonathan Strahan (trade paperback)
  • RAGS & BONES: NEW TWISTS ON TIMELESS TALES edited by Melissa Marr and Tim Pratt (hardback)

Non-Fiction:

  • H.G. WELLS: CRITIC OF PROGRESS by Jack Williamson (hardback)
  • AFTER THE NEW WAVE: SCIENCE FICTION SINCE 1980 by Nader Elhefnawy (trade paperback)

That\’s quite a nice selection, leaning very heavily towards short fiction, particularly anthologies, plus three collections of individual author short stories. There are only two novels, plus three omnibus editions containing two (the Priest), three (the Clarke) and four (the Moorcock) novels, respectively. Only two of the books are non-fiction, which is pretty unusual, given my buying habits in recent years, which has swung sharply towards including much more non-fiction.

But no surprise with the large number of anthologies and individual author collections. Most of my book buying lists will always lean heavily in that direction, as I always tend to read a lot more short fiction than novels.

It\’s a Geek\’s Life… (Part Three)

This one has been a long time coming, far too long. But better late than never, I suppose… 🙂

The Barren Years – The Near-Death of Geekery During the Eighties

All throughout the first half of the 1970\’s, I was in geek heaven, having seemingly unlimited time to spend on my obsessions with comics, sf literature, telefantasy and sci-fi films. But by 1977-78, things began to change considerably.

I began my A-Levels at college in September 1977, two years of brutal, non-stop studying, followed immediately by another four years of more of the same as I pursued an Honours Degree at university. This intensive studying at college and university during the 1977-83 timeframe drastically curtailed my free time. Except for a few short weeks over the summer breaks, I had no free time at all.

Added to this, there was the rapidly declining health of my father and the ever-growing responsibilities that I had looking after both him and my disabled brother. My father was being increasingly crippled by severe rheumatoid arthritis and other debilitating health problems, and within a few short years, by the time I was in my first year at university, he was a wheelchair-bound invalid. I was now responsible not only for looking after two disabled adults, but for also somehow trying to miraculously find the time to study for an Honours Degree as well.

The result of all this was that my geek hobbies pretty much died in the early Eighties, or were put on life support for quite a few years, at the very least. This prolonged period of sheer, relentless drudgery totally broke two out of three of my longest-standing geek hobbies – reading comics and SF literature. Only the sci-fi television and film obsession escaped relatively unscathed, and my sci-fi TV and film watching habit has remained relatively constant over the years.

It took me a long time to recover from those years, particularly when it came to reading SF. Sure, I still read a fair bit of SF today, but, even now, my SF reading habit hasn\’t quite recovered to its former frequency, and is certainly nowhere near the obsessive marathon levels it had been at during my teens. Unlike back then, I rarely read novels at all these days, although I still read short fiction regularly. I used to be an obsessive reader of novels back in my teens, but that all ended back in the early-1980\’s, and I no longer have the time, the patience, focus or powers of concentration to devote to reading novels on a regular basis. I guess I just fell out of the habit. Maybe I can get back into it again.

These days, when I do occasionally read a novel, I focus only on a very narrow range of sub-genres, usually Classic Space Opera, Hard SF, and their mutant offspring, New Space Opera. Even back when I was an avid SF novel reader, I was never as fond of softer, more sociological, political or anthropological SF as I was of Hard SF and Space Opera. With the exception of a few Alternate Histories and anything to do with Time Travel or Temporal Paradoxes, I rarely read any Soft SF at all these days. My novel reading consists mainly of the latest novels by the likes of Alastair Reynolds, Stephen Baxter, Peter F. Hamilton, Charles Stross, Greg Egan, Peter Watts, Linda Nagata and a few other similar authors.

For the past two decades or more, at least ninety-five percent of my SF reading has been short fiction, usually multi-author anthologies, although I do read the occasional single-author short fiction collection. I did read the SF magazines circa 1997-2003, Analog, Asimov\’s Science Fiction Magazine, Fantasy & Science Fiction, Interzone and SF Age, but SF Age folded, and Interzone changed hands and I didn\’t like the new direction it took after David Pringle gave it up. And even worse, the US magazines Analog, Asimov\’s and F&SF were all dropped by my local newsagents, which meant that I no longer collected ANY science fiction magazines. These days, I collect the various \”Year\’s Best\” SF anthologies edited by Gardner Dozois, David G. Hartwell, Rich Horton and a few others. These, plus a few interesting \”theme\” anthologies, allow me to keep up to date with the cream of modern short SF. However, by far the vast majority of the SF anthologies that I read are collections of classic and vintage SF, pre-New Wave (I did NOT like most of the fiction from the New Wave era), and mainly material from the Golden Age and pre-Golden Age of Science Fiction.

As for comics, I actually gave up reading them altogether for a full decade, from 1982-1991. I\’d been reading comics continuously since I was about three or four years old (1964-65), starting off with the British weekly comics such as Lion, Valiant and Eagle. Then, in late-1972, I discovered the Mighty World of Marvel, followed soon after by Spider-Man Comics Weekly and the Avengers, and became a fanatical reader of the black and white Marvel UK reprints throughout the rest of the 70\’s. I also started reading the colour Marvel US comics (which I bought via mail order) about a year or two afterwards, and all through the 1970\’s I read both US and UK Marvel comics side-by-side. But by the end of the 1970\’s, in my opinion, both Marvel UK and Marvel US had gone into decline (or maybe I was just getting fed up with or \”growing out of\” them), and once I began my A-Levels (1977-79), followed by university (1979-83), the immense pressures of study meant that I had to give up on reading all but a handful of my favourite comics.

I had given up on the Marvel UK titles altogether by about 1979, and stopped reading all but three or four of the US Marvel titles, dropping them altogether by about 1980-81. My final comic of that era was the classic UK comic Warrior, and when it folded in 1982, and with 1982-83 being the year of my \”finals\” at university, I stopped reading comics altogether for a long, long time, the first period in my life that I hadn\’t read comics since I was a very young child. I came back to them sporadically during 1991-1992 and 1994-1995, but I only really became a serious comics collector again from about late-1997 onwards. However, the good news is that my comics reading habit has actually grown again in recent years to a level that greatly surpasses what it was even back in my teens.

I\’m still a hardcore geek, and always will be. But those dark years back at the end of the 1970\’s and during most of the 1980\’s almost totally ruined it for me on a permanent basis. Luckily I\’ve now pretty much fully recovered most of my geek cred and activities. Mostly.

But as much fun as being a geek still is today, the one thing that I can regretfully never rediscover is that wide-eyed innocence, enthusiasm and sense of sheer joy that I experienced way back in my early teens, when I first became a serious geek. It\’s like being a virgin. Once it\’s gone, it\’s gone for good. 🙂

It\’s all just not quite as wondrous and pure any more when you\’re a middle-aged cynic. 🙂

It\’s a Geek\’s Life… (Part Three)

The Barren Years – The Near-Death of Geekery During the Eighties

[A]ll throughout the first half of the 1970\’s, I was in geek heaven, having seemingly unlimited time to spend on my obsessions with comics, sf literature, telefantasy and sci-fi films. But by 1977-78, things began to change considerably.

I began my A-Levels at college in September 1977, two years of brutal, non-stop studying, followed immediately by another four years of more of the same as I pursued an Honours Degree at university. This intensive studying at college and university during the 1977-83 timeframe drastically curtailed my free time. Except for a few short weeks over the summer breaks, I had no free time at all.

Added to this, there was the rapidly declining health of my father and the ever-growing responsibilities that I had looking after both him and my disabled brother. My father was being increasingly crippled by severe rheumatoid arthritis and other debilitating health problems, and within a few short years, by the time I was in my first year at university, he was a wheelchair-bound invalid. I was now responsible not only for looking after two disabled adults, but for also somehow trying to miraculously find the time to study for an Honours Degree as well.

The result of all this was that my geek hobbies pretty much died in the early Eighties, or were put on life support for quite a few years, at the very least. This prolonged period of sheer, relentless drudgery totally broke two out of three of my longest-standing geek hobbies – reading comics and SF literature. Only the sci-fi television and film obsession escaped relatively unscathed, and my sci-fi TV and film watching habit has remained relatively constant over the years.

It took me a long time to recover from those years, particularly when it came to reading SF. Sure, I still read a fair bit of SF today, but, even now, my SF reading habit hasn\’t quite recovered to its former frequency, and is certainly nowhere near the obsessive marathon levels it had been at during my teens. Unlike back then, I rarely read novels at all these days, although I still read short fiction regularly. I used to be an obsessive reader of novels back in my teens, but that all ended back in the early-1980\’s, and I no longer have the time, the patience, focus or powers of concentration to devote to reading novels on a regular basis. I guess I just fell out of the habit. Maybe I can get back into it again.

These days, when I do occasionally read a novel, I focus only on a very narrow range of sub-genres, usually Classic Space Opera, Hard SF, and their mutant offspring, New Space Opera. Even back when I was an avid SF novel reader, I was never as fond of softer, more sociological, political or anthropological SF as I was of Hard SF and Space Opera. With the exception of a few Alternate Histories and anything to do with Time Travel or Temporal Paradoxes, I rarely read any Soft SF at all these days. My novel reading consists mainly of the latest novels by the likes of Alastair Reynolds, Stephen Baxter, Peter F. Hamilton, Charles Stross, Greg Egan, Peter Watts, Linda Nagata and a few other similar authors.

For the past two decades or more, at least ninety-five percent of my SF reading has been short fiction, usually multi-author anthologies, although I do read the occasional single-author short fiction collection. I did read the SF magazines circa 1997-2003, Analog, Asimov\’s Science Fiction Magazine, Fantasy & Science Fiction, Interzone and SF Age, but SF Age folded, and Interzone changed hands and I didn\’t like the new direction it took after David Pringle gave it up. And even worse, the US magazines Analog, Asimov\’s and F&SF were all dropped by my local newsagents, which meant that I no longer collected ANY science fiction magazines. These days, I collect the various \”Year\’s Best\” SF anthologies edited by Gardner Dozois, David G. Hartwell, Rich Horton and a few others. These, plus a few interesting \”theme\” anthologies, allow me to keep up to date with the cream of modern short SF. However, by far the vast majority of the SF anthologies that I read are collections of classic and vintage SF, pre-New Wave (I did NOT like most of the fiction from the New Wave era), and mainly material from the Golden Age and pre-Golden Age of Science Fiction.

As for comics, I actually gave up reading them altogether for a full decade, from 1982-1991. I\’d been reading comics continuously since I was about three or four years old (1964-65), starting off with the British weekly comics such as Lion, Valiant and Eagle. Then, in late-1972, I discovered the Mighty World of Marvel, followed soon after by Spider-Man Comics Weekly and the Avengers, and became a fanatical reader of the black and white Marvel UK reprints throughout the rest of the 70\’s. I also started reading the colour Marvel US comics (which I bought via mail order) about a year or two afterwards, and all through the 1970\’s I read both US and UK Marvel comics side-by-side. But by the end of the 1970\’s, in my opinion, both Marvel UK and Marvel US had gone into decline (or maybe I was just getting fed up with or \”growing out of\” them), and once I began my A-Levels (1977-79), followed by university (1979-83), the immense pressures of study meant that I had to give up on reading all but a handful of my favourite comics.

I had given up on the Marvel UK titles altogether by about 1979, and stopped reading all but three or four of the US Marvel titles, dropping them altogether by about 1980-81. My final comic of that era was the classic UK comic Warrior, and when it folded in 1982, and with 1982-83 being the year of my \”finals\” at university, I stopped reading comics altogether for a long, long time, the first period in my life that I hadn\’t read comics since I was a very young child. I came back to them sporadically during 1991-1992 and 1994-1995, but I only really became a serious comics collector again from about late-1997 onwards. However, the good news is that my comics reading habit has actually grown again in recent years to a level that greatly surpasses what it was even back in my teens.

I\’m still a hardcore geek, and always will be. But those dark years back at the end of the 1970\’s and during most of the 1980\’s almost totally ruined it for me on a permanent basis. Luckily I\’ve now pretty much fully recovered most of my geek cred and activities. Mostly.

But as much fun as being a geek still is today, the one thing that I can regretfully never rediscover is that wide-eyed innocence, enthusiasm and sense of sheer joy that I experienced way back in my early teens, when I first became a serious geek. It\’s like being a virgin. Once it\’s gone, it\’s gone for good. 🙂

It\’s all just not quite as wondrous and pure any more when you\’re a middle-aged cynic. 🙂