Tag: Oliver Wake

Panic Moon May 2014

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[O]ne of my favourite Doctor Who fanzines is Panic Moon, edited and published by the extra-talented and hard working Oliver Wake. Just hot off the presses (well, last month, so pretty recent) is the newest edition of Panic Moon, dated May 2014.

Now Panic Moon isn\’t just one of those fairly common electronic fanzines. It\’s a genuine, old-fashioned, paper and ink fanzine. But to add to it all, it isn\’t a typical A5 or A4 fanzine. It\’s a sexy, tiny little A6 zine, so cute and cuddly that you can just slip it in your pocket and take it anywhere with you. This may seem to be a pretty strange choice of size, but it works. This is definitely an attractive little zine.

And the quality of the contents are nothing to sneer at, either. As with previous issues of Panic Moon, the standard of the contents is very high, covering both classic Doctor Who and NuWho, and illustrated with some very nice original artwork. We also have articles and other bits \’n\’ pieces on the following:

  • An Unearthly Child
  • Marco Polo
  • The Time Meddler
  • The Savages
  • The Time of the Doctor
  • Doomsday
  • The Girl Who Waited
  • Doctor Who in Germany
  • missing episode animations
  • space opera in Doctor Who
  • the connection between The Daemons and Ghost Light
  • in praise of Carmen Munroe
  • Michael Grade
  • the Raston Warrior Robot
  • Tanya Lernov
  • the TARDIS doors
  • Planet of Giants
  • The Enemy of the World

That\’s quite a lot to squeeze into a tiny little zine like this. But that\’s Panic Moon all over – small and wholesome. For less than the price of a pint of beer (and that includes postage), you get a lovely little fanzine, with oodles of great reading. This is a real bargain, and all self-respecting Doctor Who fans should be supporting fanzines like this. Do yourselves a big favour and grab a copy, while it is still available.

For more information on the May 2014 edition of Panic Moon, head on over to the Panic Moon blog, where you\’ll find pricing and ordering details.

Fanzines – Creative Genius at the Grass Roots (Part Four)

Okay, here\’s the fourth and final part of my ramblings on my memories of and experiences with fanzines. This one takes us right up to the present day and the most modern fanzines.

I\’ve already mentioned how I faded away from collecting fanzines in the late-1990s, and have only really rekindled the passion for zines again over the past five years or so. I\’ve seen some really big changes since I came back to collecting fanzines again. The number of print zines has obviously declined drastically over the years, at least since I last collected fanzines on a regular basis, back in the mid-1990s. Things are obviously very different nowadays compared to how they were \”back then\”, and many former zine editors and writers have either turned professional, or moved on to different creative activities, totally unrelated to fanzines.

At one point, particularly in the 2000-2005 period, I was beginning to think that the traditional paper Doctor Who fanzine had become an extinct species (which is the main reason I didn\’t get back into them again much sooner). But fortunately there are still a few traditional paper zines out there, if you look hard enough for them, and there seems to have been a minor resurgence in Doctor Who zines in recent years, most likely as a result of the popularity of the modern Doctor Who television series.

Of the modern DW \”paper\” zines, I\’ve managed to get together a nice little collection of a few of the best:

Richard Farrell produces the excellent Plaything of Sutekh, a new A5 kid on the block, which has two issues under its belt so far. This one certainly looks like it\’s going to be a front-runner among the new breed of Doctor Who zines. Richard also produces the equally excellent Andersonic, another high-quality A5 zine dedicated to the Gerry Anderson television shows, in particular the two live shows, UFO and Space: 1999. Both of Richard\’s zines are inspired by the classic Circus, which he was a great fan of (and a contributor to, if I recall correctly). This should give you an idea of how high the quality is of both these zines.

Oliver Wake produced seven issues of the excellent Panic Moon, a sexy little A6 Doctor Who zine, before calling it a day. Most of the issues are still available from him.

Grant Bull edited three issues of Blue Box, before moving onto bigger things. Blue Box is an unashamedly retro/cheapo A5 zine, deliberately produced in the old pre-computer DTP style, paying tribute to the classic cut \’n\’ paste photocopied Doctor Who zines of yesteryear.

Kenny Smith has just put out the 12th issue of The Finished Product, an excellent A5 zine dedicated to the niche market of Big Finish audio adventures of the Doctor and his companions.

Richard Bignall has produced three issues of the classy Nothing at the End of the Lane, a huge A4 prozine of incredible quality, dedicated to behind the scenes aspects of Doctor Who. Issue three is available directly from him, and an omnibus of the first two issues is available from Lulu.com.

Colin Brockhurst and Gareth Kavanagh have put out two issues of the simply amazing Vworp Vworp!, another high-quality and colorful A4 prozine which pays tribute to the classic official Doctor Who Monthly/Magazine of days gone by.

Most of the above still have a few back issues in stock. All fans of Doctor Who, or of fanzines, or of both, should do themselves a huge favour and try out some of these zines. They cover a wide range of types, from tiny A6, through traditional A5 (both retro cut \’n\’ paste and more slick DTP), to gorgeous, full-sized A4 glossy colour prozines. They also cover an enormous range of subject matter, but each and every one of them is stuffed to the gills with amazing Doctor Who (and in the case of Andersonic, Gerry Anderson) goodness.

They\’re unmissable gems, every single one of them, and there\’s absolutely nothing on the newsstands remotely as good, as enjoyable or as deserving of your meagre pennies. Support these zines, buy a copy of each, and encourage the editors to keep producing these wonderful slices of fannish goodness. I know one thing for sure – my life would be a lot poorer and less interesting without them.

There are also many other fanzines out there, both physical/paper and electronic, most of which I haven\’t gotten around to trying out yet (but I will). Go find them, and enjoy. Happy hunting!