Tag: H. G. Wells

Reading Science Fiction

Reading Science Fiction literature has always been one of my main interests in life, and I\’ve been reading \”proper\” science fiction since I first signed out H.G. Wells\’ The Time Machine from the local library at the tender age of about eight or nine years old (circa 1969-1970).

I usually prefer older (classic) SF, pre-\”New Wave\”, with a particular fondness for the vintage SF of the \”Golden Age\” and the SF \”Pulps\”. Any list of my favourites classic SF authors would contain some very familiar and famous names:

H. G. Wells, Arthur Conan Doyle, Jules Verne, Arthur C. Clarke, Isaac Asimov, Jack Williamson, Robert A. Heinlein, John W. Campbell Jr, Stanley G. Weinbaum, Henry Kuttner, Edmond Hamilton, Leigh Brackett, C. L. Moore, Frederik Pohl, Cyril M. Kornbluth, Philip K. Dick, Poul Anderson, Brian W. Aldiss, Harry Harrison, H. Beam Piper, Cordwainer Smith, Alfred Bester, Algis Budrys… and many, many others (I\’d be here all night listing them).

Although I\’m mainly a reader of older SF, there are a few types of modern SF that I do like to read, in particular New Space Opera, Hard SF, and good old Classic Space Opera, which never seems to go out of fashion, no matter how hard the literary wannabes among the SF writing and reading fraternity have tried to kill it off over the years. Some of the modern SF authors that I\’m a huge fan of would include:

Alastair Reynolds, Stephen Baxter, Peter F. Hamilton, Greg Bear, Greg Egan, Linda Nagata, Iain M. Banks, Ken MacLeod, Wil McCarthy, Peter Watts, Ian R. MacLeod, Paul J. McAuley, Iain MacDonald and a few others.

Although I do still like the occasional good SF novel by my favourite old and modern authors, the volume of novels that I read has declined sharply over the years. I used to read a lot more novels when I was younger, particularly during my teens (the 1970s), but that started to drop off sharply from about 1978 onwards, as the increasingly intensive study commitments during my A-Levels and university years totally wiped out most of my previously plentiful free reading time.

Once I finished university (1983, at the age of twenty-two), started work, discovered a social life (I didn\’t even know what a social life WAS back in my teens, no going out, no drinking, no women – it\’s really no wonder that I\’d had so much reading time), and with the many trials and tribulations of adult life kicking in, any free time that I may have had left for reading disappeared as quickly as Roadrunner with Wile E. Coyote on his tail. So the number of novels that I read declined sharply during those years, and has never recovered to its former levels, even now, thirty years later.

I also loved reading short story collections and anthologies back in my teens. At that time, it was pretty much 50-50 between novels and short fiction, but as the number of novels that I read declined sharply during the late-1970s and early-1980s, the balance swung sharply towards short fiction, which began to take up more and more of what reading time I did have remaining. I\’ve always considered short fiction to be the bedrock of the science fiction genre anyway, and, if you add to that the fact that it\’s simply much easier to fit the occasional short story into a hectic lifestyle, particularly in these days of monstrously bloated and padded novels, nine times out of ten, you\’ll find me reading a good anthology or author collection, rather than a novel.

I do NOT like (and never have liked) reading a novel piecemeal, a few chapters at a time, and prefer to do it all in one go. But that pretty much became impossible once the size of the average SF novel went above four hundred pages or so. I can usually manage about 300-350 pages max before I want to call it a day. That was okay with most classic SF novels, which usually came in at about 250-300 pages, and which I can read in one sitting. I can\’t do that with these bloated modern bricks. I have to read a few chapters at a time, but I often find it very hard to go back and just pick up where I left off. My train of thought and enjoyment of the story has been broken, and before I start on new chapters of the novel I almost always have to go back and do a recap, and re-read the earlier chapters again (certainly if it\’s been days, maybe weeks even, since I\’d read the previous chapters), because I\’ve forgotten details of the story.

I do still sometimes long for the days when a good SF novel was a mere 250-300 pages, and I could finish it in one sitting. If that were still the case, I\’d probably have gotten back into reading SF novels, and I\’d be reading a lot more of them today. But I find myself looking at these eight hundred page bricks and thinking \”Nah, can\’t be bothered\”. It\’s simply too much time and effort to put into reading a single story, when I can read twenty short stories in a similar-sized anthology much more easily. With a short story collection or anthology, I can read one story at a time, one over lunch, another when I visit the bathroom, another before I go to bed. I can leave the book down for days, weeks even, and start on a completely new story when I lift it up again, without missing out on anything, or having to go back and recap.

While I may be much more a fan of short fiction these days, the real truth is that reading short fiction has become habitual for me over the past thirty years, whereas I seem to have lost the knack (and the patience) for reading novels. I\’ve become much more accustomed to reading short fiction in recent decades, and while I can still tackle the much shorter, older classic SF novels easily enough, reading one of those overly-padded modern monsters is a real effort, and one that I\’m rarely willing to make, unless it\’s one of my favourite modern authors (someone like Alastair Reynolds or one of the others mentioned above).

Maybe I can re-train myself to read these big novels. And maybe this blog can help me focus, get back into the groove, and give me a reason to start into reading novels on a regular basis. Fingers crossed.

VOYAGERS IN TIME edited by Robert Silverberg

[I]n my last SF Anthologies post I commented that I\’d recently bought a couple of nice old SF anthologies from Amazon UK. I made a few comments about the newer of the two anthologies, TRIPS IN TIME and gave a contents listing for it. Here\’s the same routine for the second anthology, which was published ten years earlier, but can be considered a \”companion\” anthology, from a thematic viewpoint, since both books contain short stories about time travel. This one is VOYAGERS IN TIME, edited by Robert Silverberg.

TITLE: VOYAGERS IN TIME – Twelve Stories of Science Fiction
EDITED BY: Robert Silverberg
CATEGORY: Short Fiction
SUB-CATEGORY: Anthology
PUBLISHER: Meredith Press, New York, 1967
FORMAT: Hardcover, 243 pages.

This anthology is a collection of more traditional (but still fun) time travel stories than those in TRIPS IN TIME. The stories in this one span a thirty year period, the earliest originally published in 1937, and the last in 1967. Here\’s a listing of the contents:

  • The Sands of Time by P. Schuyler Miller (1937)
  • …And It Comes Out Here by Lester del Rey (1950)
  • Brooklyn Project by William Tenn (1948)
  • The Men Who Murdered Mohammed by Alfred Bester (1964)
  • Time Heals by Poul Anderson (1949)
  • Wrong-Way Street by Larry Niven (1965)
  • Flux by Michael Moorcock (1963)
  • Dominoes by C. M. Kornbluth (1953)
  • A Bulletin from the Trustees by Wilma Shore (1964)
  • Traveler\’s Rest by David I. Masson (1965)
  • Absolutely Inflexible by Robert Silverberg (1956, revised version 1967)
  • THE TIME MACHINE [Chapter XI, XII – part] by H. G. Wells (1895)

This looks like another very interesting anthology of short fiction. Silverbob certainly does know how to put together a good anthology of stories. Again, some of them I remember well (Wells, Bester, Tenn, and Moorcock), others I vaguely remember (Miller, del Rey, Anderson, Niven, Kornbluth and Silverberg), and the last two I\’m not familiar with at all (Shore, Masson).

As I\’ve already said, this is a kinda/sorta \”sister\” anthology to the later TRIPS IN TIME (1977), which is a more unusual and quirky collection of time travel tales. I\’ve already read several of the stories in TRIPS IN TIME, but now I\’ve started reading some of the stories in VOYAGERS IN TIME as well. I\’m dipping in and out of both books, and it will be nice to compare the two anthologies when I\’ve finished both of them.

As usual, I\’m working my way through the stories in both books slowly, as and when I get free time to do so, and not in any kind of order. I\’ll just pick stories at random, usually with favourite authors first and working my way to least favourite or least familiar. Once I\’ve finished I\’ll start posting comments on individual stories (with the exception of the excerpts from The Time Machine, as I\’ll be reviewing the novel at some point), and comments on the two anthologies as a whole.

VOYAGERS IN TIME edited by Robert Silverberg

TITLE: VOYAGERS IN TIME – Twelve Stories of Science Fiction
EDITED BY: Robert Silverberg
CATEGORY: Short Fiction
SUB-CATEGORY: Anthology
PUBLISHER: Meredith Press, New York, 1967
FORMAT: Hardcover, 243 pages.

In my last post I commented that I\’d recently bought a couple of nice old SF anthologies from Amazon UK. I made a few comments about one of the anthologies, TRIPS IN TIME and gave a contents listing for it. Here\’s the same routine for the other anthology, which was published ten years earlier, but can be considered a \”companion\” anthology, from a thematic viewpoint, since both books contain short stories about time travel. The second of the two anthologies is VOYAGERS IN TIME, edited by Robert Silverberg.

This anthology is a collection of more traditional (but still fun) time travel stories than those in TRIPS IN TIME. The stories in this one span a thirty year period, the earliest originally published in 1937, and the last in 1967. Here\’s a listing of the contents:

  • The Sands of Time by P. Schuyler Miller (1937)
  • …And It Comes Out Here by Lester del Rey (1950)
  • Brooklyn Project by William Tenn (1948)
  • The Men Who Murdered Mohammed by Alfred Bester (1964)
  • Time Heals by Poul Anderson (1949)
  • Wrong-Way Street by Larry Niven (1965)
  • Flux by Michael Moorcock (1963)
  • Dominoes by C. M. Kornbluth (1953)
  • A Bulletin from the Trustees by Wilma Shore (1964)
  • Traveler\’s Rest by David I. Masson (1965)
  • Absolutely Inflexible by Robert Silverberg (1956, revised version 1967)
  • THE TIME MACHINE [Chapter XI, XII – part] by H. G. Wells (1895)

This looks like another very interesting anthology of short fiction. Silverbob certainly does know how to put together a good anthology of stories. Again, some of them I remember well (Wells, Bester, Tenn, and Moorcock), others I vaguely remember (Miller, del Rey, Anderson, Niven, Kornbluth and Silverberg), and the last two I\’m not familiar with at all (Shore, Masson).

As I\’ve already said, this is a kinda/sorta \”sister\” anthology to the later TRIPS IN TIME (1977), which is a more unusual and quirky collection of time travel tales. I\’ve already read several of the stories in TRIPS IN TIME, but now I\’ve started reading some of the stories in VOYAGERS IN TIME as well. I\’m dipping in and out of both books, and it will be nice to compare the two anthologies when I\’ve finished both of them.

As usual, I\’m working my way through the stories in both books slowly, as and when I get free time to do so, and not in any kind of order. I\’ll just pick stories at random, usually with favourite authors first and working my way to least favourite or least familiar. Once I\’ve finished I\’ll start posting comments on individual stories (with the exception of the excerpts from The Time Machine, as I\’ll be reviewing the novel at some point), and comments on the two anthologies as a whole.

Favourite SF Authors: H.G. Wells

This is the first of my Favourite SF Authors postings, and who better than the author who started it all for me, the man dubbed the \”father of science fiction\”, H.G. Wells.

The first time I saw George Pal\’s film adaption of The Time Machine (1960) on television was probably the first event in my life which I can definitely point to and say without a doubt that \”this was when I became a science fiction fan\”. I was only about five, maybe six years old at most, and that one film turned me into a crazy time-travel fanatic. A couple of years later, as a direct result of being a fan of the film, I read the original novel, which was the first time I had ever read a proper SF book. These two events (plus a growing obsession with Doctor Who) changed my life forever, and I\’ve been an obsessive SF fan ever since.

Wells wasn\’t the first SF author by any means. Jules Verne and others had walked that road before him. Nor was he even the most highly-regarded among his contemporaries while he was writing. But he has outlived them all, and has been by far the most enduring and influential upon successive generations of SF writers and readers. Most of the contemporary authors who were once regarded as highly as or more highly than Wells are now no longer so well known, and many of them have faded into obscurity altogether. But Wells has stayed right at the top for all these years.

What was it that made him so important? I\’d argue strongly that Wells was the first to seriously cover so many of the SF themes that we take for granted these days, writing about them as SF, as opposed to fantasy. Sure, maybe Verne had done it to a lesser extent, but his scientific explorations were almost always more concerned with the technological gadgetry (submarines, flying machines, \”rockets\” fired to the moon out of enormous cannons, etc) rather than true exploration of SF themes, and most of his stories were pure fantasies. In contrast, Wells examined a far, far wider range of real SF themes and how they relate to human society, and on a much deeper level.

Time travel? Wells did the first \”proper\” story (using a time machine, not dreams or other fantasy devices), in The Time Machine, which was also a sly but strong criticism of class differences within British society. Interplanetary invasion? War of the Worlds, which doubled as a strong swipe at the British Empire and imperialism in general. Genetic engineering and the morality of biological tinkering on humans? The Island of Doctor Moreau. Invisibility and the corruption of the corruptible who attain and abuse \”absolute power\”? The Invisible Man. Lunar exploration and anti-gravity, with more examination of society and class structure? First Men in the Moon. Accelerated time? \”The New Accelerator\”. The list goes on and on.

The really remarkable thing was that Wells was writing about many of these themes well over a century ago, which is something that I find almost unbelievable. Others had written about travelling to the moon or through time before Wells did. But these previous efforts fell squarely into the \”fantasy\” camp (travelling through time in dreams, going to the moon in balloons, or pulled by birds, etc). Wells was the first to write about them in a way that could be termed even remotely as \”real\” science fiction, both philosophically and in the way he explained them in a \”scientific\” way. And he also wrote about many other SF themes that no writers before him had ever explored. Many of these fundamental SF themes have now been done to death over more recent decades by countless other SF authors. But Wells was the first to imagine most of these themes and write great SF stories around them.

So many of the modern core themes in SF stemmed from the work of this one man, that I don\’t think we can really conceive how differently the genre would\’ve developed if he\’d never existed. I think that it wouldn\’t be an exaggeration to say that he was the single most important figure in science fiction literature\’s history, although there have been any number of other great writers who\’ve challenged him for that position. But, in so many areas, Wells was the first to write about so many things, that I\’d have to grant him \”pole position\”.

The rest, good as they were, followed in his giant shadow.

It’s a Geek\’s Life… (Part Two)

The Golden Years – Geek Nirvana During the Seventies

[T]he start of our teenage years is the sweet spot for the vast majority of us, particularly geeks, the beginning of what is probably the most fondly remembered period of our lives.

It\’s long enough ago that most of our memories are fond, rosy ones, but it\’s also the first time in our lives from which we retain reasonably accurate and continuous recollections of events (unlike our earlier childhood – most memories from our first decade are pretty vague and fragmented). And it is also during these years that many of us have the most fun and freedom to do what we want (after we finish our homework, of course), before adulthood arrives and the bland banalities, responsibilities and worries of “grown-up” life start to descend upon us.

I mentioned in my previous posting that my childhood was a far from happy one. Things got even worse when I was eleven years old, when my parents separated, leaving my father to raise five kids on his own. He was forced to leave his job, and our descent into poverty became even more severe. To top it all off, my father\’s health began to decline sharply after my mother left, and, as the \”oldest\”, I was shoehorned into the role of \”surrogate mother\” from this very tender age, taking over the extremely heavy responsibilities of not only looking after my father, but also the other four kids, one of whom was also very severely disabled.

To be blunt, I was a very unhappy young boy as a teenager, one who sought refuge in a world of make-believe. Any kind of an escape from this dreary and depressing reality was a welcome one, and I immersed myself in an alternate world of comics, sci-fi worlds on television, in films, and in great SF literature. I also became very preoccupied with drawing and writing.

To refer to these interests as mere “hobbies” would be a complete understatement. They were obsessions, a vital lifeline for me, and I depended on them utterly to keep me sane, when everything around me was so gloomy and depressing. Since childhood, and throughout my entire life, these “obsessions” have been entrenched as fundamental pillars of my personality and way of thinking, and I simply cannot imagine my life without them.

I may already have been a proto-geek from a much earlier period in my life, but the beginning of my teens marks the time from which I can seriously start referring to myself as a true, hardcore geek. Things may not have been rosy on the domestic and personal front, but my hobbies and obsessions certainly first started to kick into overdrive in a very big way at this age, almost certainly to compensate for my miserable \”Real Life\”. I was also now growing old enough to be much more sophisticated, systematic and discerning when it came to what I was “into”. And what I was into, and I mean REALLY into, was the Holy Trinity of SF literature, Sci-Fi on television and in films, and Comics.

All through the 1970\’s, up until around 1977-78, was a “Golden Age” for me, from a geek perspective anyway, the completely opposing mirror image of my crappy \”real life\”. All during my teens there was a steady procession of classic sci-fi TV shows and films on local television, and although I had my favourites – Doctor Who, Star Trek, UFO, The Time Tunnel – I loved them all to a lesser or greater extent.

By this stage of my life I was also a totally obsessive reader of both comics (particularly the Marvel UK reprint comics) and SF literature. I\’d started off initially in my pre-teens with Wells and Verne, then moving onto Clarke, Asimov, Heinlein, and anything else that I could read. By my early teens, the whole world of SF literature was my oyster. I was discovering great new (to me, anyway) authors like H. Beam Piper, Cordwainer Smith, Cyril M. Kornbluth, Frederik Pohl, John W. Campbell, Alfred Bester, Henry Kuttner, C. L. Moore, Leigh Brackett, Edmond Hamilton, Jack Williamson, Stanley G. Weinbaum, Robert E. Howard, Edgar Rice Burroughs, Clark Ashton Smith and many, many others.

By my mid-teens, I was neck-deep in my alternate geek world, spending every available second on my hobbies. I just couldn’t get enough of the whole Sci-Fi/Comics/SF Literature thing, and it seemed like the good days would never end.

But I was wrong.

To Be Continued…

It\’s a Geek\’s Life… (Part One)

[H]ere\’s the first part (of three) in the story of my rise to geekhood.

Early Days in the Sixties – Genesis of a Geek

I’m a card-carrying geek. I’ve always been a geek. I\’ve been one all my life, right from when I was a very young child, and I simply can’t conceive of being any other way. It\’s as natural for me as breathing.

I’m also not one of those shy, retiring types who tries to hide the fact that I\’m a geek out of view, for fear of ridicule. I’ve always been very proud of my geek status. I don’t give a damn who knows it or who doesn’t like it. They can all take a great running leap off the top of a high building, as far as I’m concerned.

My early childhood was not a particularly happy one, what little of it I can recall. My family was poor, very poor, and we never had much in the line of material goods. For much of the time it was a struggle for our parents to even feed and clothe us. We also lived on a council estate in Northern Ireland during that infamous period in Irish history known as \”The Troubles\”, which began in 1968 (I was only seven years old at the time), and was to last right up into my thirties. It overshadowed my entire earlier life, and for everyone of my generation who lived through it, it was a dark time, full of tensions, fear, and unhappiness.

Any kind of an escape from the dreary and depressing reality of life in a poverty-stricken, 1960\’s Northern Ireland council estate was a welcome one, and so I took every chance I could to escape from \”real life\” into the realms of my incredibly active imagination. But WHEN did I actually become a geek, and, more importantly, HOW and WHY? Why did I choose that path, rather than follow the more mundane hobbies that the vast majority of other kids my age indulged in?

I suppose it all began at a very early age, before I\’d even started school, back when I started to read my first “proper” books (books with lots of words, rather than mere “picture books”). By the time I first went to school (aged four and a half years), I was already a voracious reader, very advanced for my age, and my parents and other relatives encouraged me as much as possible by continually giving me new books to read. My uncle started buying me books on a regular basis, and these were invariably based around science, nature and technology. They were full of dinosaurs, spaceships, and stories of other worlds and solar systems, all of which captivated my fertile young imagination. My preferences were already being shaped around science-oriented themes even at that early age.

Even this early in life, I showed a very strong preference for the fantastic rather than the mundane, for wild adventures into space and through time, dinosaurs, aliens, indeed anything “out of this world”. I took every chance I could to escape from boring “real life” into the realms of my incredibly active imagination. So all the influences and obsessions of a future geek had already been laid down right from the start. It was almost like I was pre-ordained to become a geek, although we all know that couldn\’t be true, could it?

Soon afterwards, at about four or five years old, I started reading comics and quickly developed a strong preference for the more SF-oriented strips over the less fantasy-oriented stories, particularly the war and sport strips which were more dominant in British comics at that time. And around the same time, I also started paying attention to sci-fi and fantasy films and sci-fi television series on UK TV.

Doctor Who, on UK television, started having its first really strong influence on me about 1966-67, when I was about six years old, and at about roughly the same time, my life was changed forever when I saw the classic George Pal movie adaption of The Time Machine (1960) for the first time on Irish television (RTE). I became totally obsessed with the concept of time travel, which remains my favourite SF theme even now. At the young age of six or seven, I was already a confirmed SF nut, at least as far as comics, films and television were concerned.

As a direct result of this obsession with The Time Machine (1960) movie and Doctor Who, I was also to start reading SF. About a year or two after I’d seen the movie, I found the original H. G. Wells\’ novel The Time Machine in a local library, and I just had to read it. I was hooked, despite the drastic differences between the novel and the film, and moved from there on to reading anything else I could find by Wells, then on to Verne, Clarke, Asimov, Heinlein and the greater world of SF authors at large. I\’ve never looked back, and remain a hardcore SF literature fan to this day.

As I got older, I immersed myself ever further into the fascinating world of comics, watching sci-fi TV and films, reading great SF books, and also drawing and writing, almost always something connected with the aforementioned comics, books, TV series and films.

I drove my poor parents mad. They just didn\’t \”get\” sci-fi at all, but humoured their crazy kid. My father really hated all of this \”silly sci-fi nonsense”, and Doctor Who in particular, but tolerated it when I was very young. He hoped desperately that I’d “grow out of it” as I got older, but there was absolutely no chance of that happening! Here I am, more than forty years later, and still a hardcore SF fan.

Poor Dad! He must be turning in his grave!

To Be Continued…

It’s a Geek\’s Life… (Part Two)

The Golden Years – Geek Nirvana During the Seventies

The start of our teenage years is the sweet spot for the vast majority of us, particularly geeks, the beginning of what is probably the most fondly remembered period of our lives.

It\’s long enough ago that most of our memories are fond, rosy ones, but it\’s also the first time in our lives from which we retain reasonably accurate and continuous recollections of events (unlike our earlier childhood – most memories from our first decade are pretty vague and fragmented). And it is also during these years that many of us have the most fun and freedom to do what we want (after we finish our homework, of course), before adulthood arrives and the bland banalities, responsibilities and worries of “grown-up” life start to descend upon us.

I mentioned in my previous posting that my childhood was a far from happy one. Things got even worse when I was eleven years old, when my parents separated, leaving my father to raise five kids on his own. He was forced to leave his job, and our descent into poverty became even more severe. To top it all off, my father\’s health began to decline sharply after my mother left, and, as the \”oldest\”, I was shoehorned into the role of \”surrogate mother\” from this very tender age, taking over the extremely heavy responsibilities of not only looking after my father, but also the other four kids, one of whom was also very severely disabled.

To be blunt, I was a very unhappy young boy as a teenager, one who sought refuge in a world of make-believe. Any kind of an escape from this dreary and depressing reality was a welcome one, and I immersed myself in an alternate world of comics, sci-fi worlds on television, in films, and in great SF literature. I also became very preoccupied with drawing and writing.

To refer to these interests as mere “hobbies” would be a complete understatement. They were obsessions, a vital lifeline for me, and I depended on them utterly to keep me sane, when everything around me was so gloomy and depressing. Since childhood, and throughout my entire life, these “obsessions” have been entrenched as fundamental pillars of my personality and way of thinking, and I simply cannot imagine my life without them.

I may already have been a proto-geek from a much earlier period in my life, but the beginning of my teens marks the time from which I can seriously start referring to myself as a true, hardcore geek. Things may not have been rosy on the domestic and personal front, but my hobbies and obsessions certainly first started to kick into overdrive in a very big way at this age, almost certainly to compensate for my miserable \”Real Life\”. I was also now growing old enough to be much more sophisticated, systematic and discerning when it came to what I was “into”. And what I was into, and I mean REALLY into, was the Holy Trinity of SF literature, Sci-Fi on television and in films, and Comics.

All through the 1970\’s, up until around 1977-78, was a “Golden Age” for me, from a geek perspective anyway, the completely opposing mirror image of my crappy \”real life\”. All during my teens there was a steady procession of classic sci-fi TV shows and films on local television, and although I had my favourites – Doctor Who, Star Trek, UFO, The Time Tunnel – I loved them all to a lesser or greater extent.

By this stage of my life I was also a totally obsessive reader of both comics (particularly the Marvel UK reprint comics) and SF literature. I\’d started off initially in my pre-teens with Wells and Verne, then moving onto Clarke, Asimov, Heinlein, and anything else that I could read. By my early teens, the whole world of SF literature was my oyster. I was discovering great new (to me, anyway) authors like H. Beam Piper, Cordwainer Smith, Cyril M. Kornbluth, Frederik Pohl, John W. Campbell, Alfred Bester, Henry Huttner, C. L. Moore, Leigh Brackett, Edmond Hamilton, Jack Williamson, Stanley G. Weinbaum, Robert E. Howard, Edgar Rice Burroughs, Clark Ashton Smith and many, many others.

By my mid-teens, I was neck-deep in my alternate geek world, spending every available second on my hobbies. I just couldn’t get enough of the whole Sci-Fi/Comics/SF Literature thing, and it seemed like the good days would never end.

But I was wrong.

To Be Continued…

It\’s a Geek\’s Life… (Part One)

Here\’s the first part (of three) in the story of my rise to geekhood.

Early Days in the Sixties – Genesis of a Geek

I’m a card-carrying geek. I’ve always been a geek. I\’ve been one all my life, right from when I was a very young child, and I simply can’t conceive of being any other way. It\’s as natural for me as breathing.

I’m also not one of those shy, retiring types who tries to hide the fact that I\’m a geek out of view, for fear of ridicule. I’ve always been very proud of my geek status. I don’t give a damn who knows it or who doesn’t like it. They can all take a great running leap off the top of a high building, as far as I’m concerned.

My early childhood was not a particularly happy one, what little of it I can recall. My family was poor, very poor, and we never had much in the line of material goods. For much of the time it was a struggle for our parents to even feed and clothe us. We also lived on a council estate in Northern Ireland during that infamous period in Irish history known as \”The Troubles\”, which began in 1968 (I was only seven years old at the time), and was to last right up into my thirties. It overshadowed my entire earlier life, and for everyone of my generation who lived through it, it was a dark time, full of tensions, fear, and unhappiness.

Any kind of an escape from the dreary and depressing reality of life in a poverty-stricken, 1960\’s Northern Ireland council estate was a welcome one, and so I took every chance I could to escape from \”real life\” into the realms of my incredibly active imagination. But WHEN did I actually become a geek, and, more importantly, HOW and WHY? Why did I choose that path, rather than follow the more mundane hobbies that the vast majority of other kids my age indulged in?

I suppose it all began at a very early age, before I\’d even started school, back when I started to read my first “proper” books (books with lots of words, rather than mere “picture books”). By the time I first went to school (aged four and a half years), I was already a voracious reader, very advanced for my age, and my parents and other relatives encouraged me as much as possible by continually giving me new books to read. My uncle started buying me books on a regular basis, and these were invariably based around science, nature and technology. They were full of dinosaurs, spaceships, and stories of other worlds and solar systems, all of which captivated my fertile young imagination. My preferences were already being shaped around science-oriented themes even at that early age.

Even this early in life, I showed a very strong preference for the fantastic rather than the mundane, for wild adventures into space and through time, dinosaurs, aliens, indeed anything “out of this world”. I took every chance I could to escape from boring “real life” into the realms of my incredibly active imagination. So all the influences and obsessions of a future geek had already been laid down right from the start. It was almost like I was pre-ordained to become a geek, although we all know that couldn\’t be true, could it?

Soon afterwards, at about four or five years old, I started reading comics and quickly developed a strong preference for the more SF-oriented strips over the less fantasy-oriented stories, particularly the war and sport strips which were more dominant in British comics at that time. And around the same time, I also started paying attention to sci-fi and fantasy films and sci-fi television series on UK TV.

Doctor Who, on UK television, started having its first really strong influence on me about 1966-67, when I was about six years old, and at about roughly the same time, my life was changed forever when I saw the classic George Pal movie adaption of The Time Machine (1960) for the first time on Irish television (RTE). I became totally obsessed with the concept of time travel, which remains my favourite SF theme even now. At the young age of six or seven, I was already a confirmed SF nut, at least as far as comics, films and television were concerned.

As a direct result of this obsession with The Time Machine (1960) movie and Doctor Who, I was also to start reading SF. About a year or two after I’d seen the movie, I found the original H. G. Wells\’ novel The Time Machine in a local library, and I just had to read it. I was hooked, despite the drastic differences between the novel and the film, and moved from there on to reading anything else I could find by Wells, then on to Verne, Clarke, Asimov, Heinlein and the greater world of SF authors at large. I\’ve never looked back, and remain a hardcore SF literature fan to this day.

As I got older, I immersed myself ever further into the fascinating world of comics, watching sci-fi TV and films, reading great SF books, and also drawing and writing, almost always something connected with the aforementioned comics, books, TV series and films.

I drove my poor parents mad. They just didn\’t \”get\” sci-fi at all, but humoured their crazy kid. My father really hated all of this \”silly sci-fi nonsense”, and Doctor Who in particular, but tolerated it when I was very young. He hoped desperately that I’d “grow out of it” as I got older, but there was absolutely no chance of that happening! Here I am, more than forty years later, and still a hardcore SF fan.

Poor Dad! He must be turning in his grave!

To Be Continued…