Doctor Who – The Beginning (DVD Box Set)

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Recently, I decided to conduct an interesting experiment in total immersion in classic Doctor Who, go right back to where it all started, and start watching my Doctor Who DVDs in order, starting with the earliest episodes first.

Well, you can\’t get any earlier than The Beginning three-disk DVD Box Set, which contains the first three Doctor Who adventures, starring (of course) William Hartnell as the First Doctor, his granddaughter Susan (Carole Ann Ford), and the very first companions, Ian Chesterton (William Russell) and Barbara Wright (Jacqueline Hill).

The Beginning is an excellent box set, and the three stories it contains – the first thirteen episodes of the classic series – are, fortunately, complete, with no episodes missing. It\’s the fourth Doctor Who adventure, Marco Polo, before we run up against the first of the Missing Episodes. Unfortunately this classic Doctor Who historical adventure is entirely missing from the BBC Archives, although it still exists in audio format.

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The three stories in the box set – An Unearthly Child, The Daleks and The Edge of Destruction – lay the foundations of everything that came afterwards, from the first appearance of the mysterious Doctor and his granddaughter, to the first appearance of his most iconic adversaries, the Daleks. There are also quite a few fascinating featurettes on the three DVDs, a few of them oriented around the behind-the-scenes developments during those dim and distant days when the series was first created. Fascinating stuff!

I will be posting my thoughts here in this blog about each individual story as I watch the DVDs. I would also recommend that anyone who considers themselves a serious Doctor Who fan should do the same as I\’m doing, and watch these earliest episodes, in sequence, maybe one a day to get more of the feel of their original appearance on television. Sure, these old stories can be a bit slow and are radically different from modern frenetically-paced Doctor Who, but they\’re also the well from which all modern Doctor Who springs.

I find these early classics absolutely fascinating, both as television and as historical artifacts, and I strongly believe that they are required viewing for all true Doctor Who fans.

Andersonic Issue 19 Is Out Now!

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The latest issue of one of my favourite fanzines, Andersonic Issue 19, has been out for a while now, so I reckon that it\’s long past time that I gave it a plug. So, what has Richard Farrell and his Merry Crew dished up for us this time?

As per the details on the Andersonic website, the current issue features:

  • Mary Turner interview – a new interview with Century 21\’s sculptor/puppetry supervisor in which she discusses her work at Century 21 and the later Cinemation series.
  • Ken Holt interview – Ken talks of his time working at Century 21 on the later puppet series, UFO and The Investigator. What links a bi-plane, green paint and a very unfortunate ram?
  • Space:1999/ The Black Sun – a look at David Weir\’s first draft script for this popular episode.
  • Thunderbirds at 50/ Still Flying High – our writers look at why Thunderbirds has endured to become Gerry and Sylvia Anderson\’s most popular series.
  • UFO/The Cat With Ten Lives – Alexis Kanner has a strange feline all over him. We look at one of UFO\’s finest episodes.
  • Strip Story – a look at the Fireball XL5 strip \’Electrode 909\’ from the heyday of TV Century 21.
  • Reviews – we review \’Filmed in Supermarionation, the Network box set and Bringers of Wonder on bluray. Plus back cover art by Richard Smith.

Andersonic is, by far, my favourite fanzine focusing on all things Gerry Anderson, from puppet shows, to the live TV series, to films, to the modern CGI series. These days, most fanzines are usually some kind of electronic publication – PDFs/ebooks or websites. Andersonic bucks that trend. It\’s a genuine, traditional, \”real\” paper/print, high-quality A5 zine that you can hold in your hand and collect, just like the classic zines of yore. These days, when the classic print zine is a bit of an endangered species, zines like Andersonic are rare, precious gems.

It contains 44 pages of gorgeous articles, reviews and artwork, and has black & white interiors, and colour covers, front and back (both interior and exterior). And at only £2.75 (not even the price of a pint of beer), and with postage free (within the UK only), it\’s an absolute steal.

All self-respecting fans of Gerry Anderson and the series he has produced over the years really should be reading every single issue of this zine. Go get yourselves over to the Andersonic website and buy a copy, right now!

Another Doctor Who Night In (Part Four)

Last time out, I mentioned having a nice evening in watching a couple of classic Doctor Who DVDs, namely the first and third stories from Season 16\’s Key to Time sequence, The Ribos Operation and The Stones of Blood. I\’ve already given my views on The Ribos Operation, So, on now to The Stones of Blood.

The Stones of Blood has always been, by far, my favourite story from the Key to Time sequence, and is one of my Top 3 from the Graham Williams era. It features an excellent script by David Fisher, and a great cast, with particularly strong performances not only by the regular cast, but by fantastic supporting characters Professor Emilia Rumford (played by Beatrix Lehmann) and Vivien Fay/Cessair of Diplos (played by Susan Engel).

I found the aliens in this story to be pretty interesting. I loved the idea that the Ogri (the Stones in the title of the story) were a silicon-based lifeform that fed on blood. A pretty good variation on the vampire theme. I really wish the Ogri had made a reappearance in the series, rather than being \”one-hit wonders\”. Likewise the alien justice machines, the Megara. And the Cailleach, the Celtic goddess who is actually 3,000 year-old alien escaped prisoner Cessair of Diplos, who carries the Great Seal of Diplos, which is actually the next section of the Key to Time, and who also controls the Ogri. And the alien prison ship itself, which is in hyperspace, but which also happens to occupy the exact same space in our world as that between the stones. Entertaining and fascinating sci-fi concepts – this story is positively overflowing with them.

There\’s even the almost-compulsory cult, led by their crazy High Priest (de Vries), who worship and serve the Cailleach. Doctor Who seems to have an obsession with taking pokes at cults and religions, which is all fine by me, as I tend to share those views. As a matter of fact, there are TWO stories featuring cults in the Key to Time sequence, the other one being the hilarious Swampies in The Power of Kroll. The scene where the cult are about to sacrifice the Doctor also gives us one of the best lines in the series, as Tom Baker looks up at de Vries, who has a knife raised in the air, and says \”I hope that knife has been properly sterilised\”. Cracking line! 🙂

Overall, The Stones of Blood is a fantastic story, full of inventive ideas, good acting, and which moves along at a cracking pace. It\’s one of the very few Doctor Who stories from the Graham Williams era that I\’d argue holds its own against the classic Hinchcliffe era of the series. Great stuff!

Another Doctor Who Night In
(Part Four)

[L]ast time out, I mentioned having a nice evening in watching a couple of classic Doctor Who DVDs, namely the first and third stories from Season 16\’s Key to Time sequence, The Ribos Operation and The Stones of Blood. I\’ve already given my views on The Ribos Operation, So, on now to The Stones of Blood.

The Stones of Blood has always been, by far, my favourite story from the Key to Time sequence, and is one of my Top 3 from the Graham Williams era. It features an excellent script by David Fisher, and a great cast, with particularly strong performances not only by the regular cast, but by fantastic supporting characters Professor Emilia Rumford (played by Beatrix Lehmann) and Vivien Fay/Cessair of Diplos (played by Susan Engel).

I found the aliens in this story to be pretty interesting. I loved the idea that the Ogri (the Stones in the title of the story) were a silicon-based lifeform that fed on blood. A pretty good variation on the vampire theme. I really wish the Ogri had made a reappearance in the series, rather than being \”one-hit wonders\”. Likewise the alien justice machines, the Megara. And the Cailleach, the Celtic goddess who is actually 3,000 year-old alien escaped prisoner Cessair of Diplos, who carries the Great Seal of Diplos, which is actually the next section of the Key to Time, and who also controls the Ogri. And the alien prison ship itself, which is in hyperspace, but which also happens to occupy the exact same space in our world as that between the stones. Entertaining and fascinating sci-fi concepts – this story is positively overflowing with them.

There\’s even the almost-compulsory cult, led by their crazy High Priest (de Vries), who worship and serve the Cailleach. Doctor Who seems to have an obsession with taking pokes at cults and religions, which is all fine by me, as I tend to share those views. As a matter of fact, there are TWO stories featuring cults in the Key to Time sequence, the other one being the hilarious Swampies in The Power of Kroll. The scene where the cult are about to sacrifice the Doctor also gives us one of the best lines in the series, as Tom Baker looks up at de Vries, who has a knife raised in the air, and says \”I hope that knife has been properly sterilised\”. Cracking line! 🙂

Overall, The Stones of Blood is a fantastic story, full of inventive ideas, good acting, and which moves along at a cracking pace. It\’s one of the very few Doctor Who stories from the Graham Williams era that I\’d argue holds its own against the classic Hinchcliffe era of the series. Great stuff!

Another Doctor Who Night In (Part Three)

Last night I had another Doctor Who DVD-watching session, swinging back to the Tom Baker Doctor again. I watched a couple of Graham Williams-produced stories from his second season, this time concentrating on two of the tales from the Season 16 Key to Time sequence, the first and third stories respectively, The Ribos Operation and The Stones of Blood. I\’ll give my views on The Ribos Operation this time out, and leave The Stones of Blood for the next post.

The Ribos Operation is a pretty decent story, if a little slow and lacking in excitement. The main plus points are the strong script and excellent cast. There is a new main supporting character and companion joining the Doctor and K-9 Mark II (voiced by John Leeson), in the form of the elegant and gorgeous Mary Tamm as Time Lady Romana. We also have the first appearance of an occasional recurring character, the White Guardian (played by Cyril Luckham). The rest of the supporting cast was also very capable, with particularly strong performances from the two lovable rogues Garron and Unstoffe (played by Iain Cuthbertson and Nigel Plaskitt), the main bad guy\’s right-hand man Sholakh (played by Robert Keegan), and the old hermit Binro (played by Timothy Bateson). I really liked the exchanges between Unstoffe and Binro.

The negative cast performances stem mostly from the almost compulsory late-Tom Baker/Williams era failing of overly-melodramatic and ham acting from some actors. The Spam Awards for this story go, in particular, to The Seeker (played by Anne Tirard) and the annoyingly exaggerated cartoon villain/insane galactic ex-tyrant ruler the Graff Vynda-K (played by Paul Seed). This type of pantomime acting has always been one of the things that I find really irritating in Doctor Who, and I really do consider it the bane of the classic series.

And then there\’s Prentis Hancock, playing the Shrieve Captain. Prentis is a lovely bloke, but every time I\’ve seen him in any television role (and I\’ve seen him in quite a few), he seems to play the same brooding, angry, unsociable stereotype. I dunno whether he\’s just been typecast in that role, or it\’s simply because he\’s lazy and is comfortable playing the same part over and over again, but I don\’t recall ever seeing him do any other character than the same stereotype that he\’s played so many times in Doctor Who and elsewhere. Even as a regular cast member on Space: 1999, most of the time he seemed to be playing a barely slightly more mellow version of the same grumpy, permanently angry character.

Last but not least, let\’s not forget this story\’s scary monster, the Shrievenzale, which was about as scary as Kermit the Frog, if you ask me. In other words, complete crap. The Shrievenzale is one of those Doctor Who monsters which is very dodgy-looking and barely any better than the infamous Myrka from Warriors of the Deep.

Still, aside from those few small quibbles, I quite enjoyed The Ribos Operation. Next time out, I\’ll be giving my views on The Stones of Blood.

Another Doctor Who Night In
(Part Three)

[L]ast night I had another Doctor Who DVD-watching session, swinging back to the Tom Baker Doctor again. I watched a couple of Graham Williams-produced stories from his second season, this time concentrating on two of the tales from the Season 16 Key to Time sequence, the first and third stories respectively, The Ribos Operation and The Stones of Blood. I\’ll give my views on The Ribos Operation this time out, and leave The Stones of Blood for the next post.

The Ribos Operation is a pretty decent story, if a little slow and lacking in excitement. The main plus points are the strong script and excellent cast. There is a new main supporting character and companion joining the Doctor and K-9 Mark II (voiced by John Leeson), in the form of the elegant and gorgeous Mary Tamm as Time Lady Romana. We also have the first appearance of an occasional recurring character, the White Guardian (played by Cyril Luckham). The rest of the supporting cast was also very capable, with particularly strong performances from the two lovable rogues Garron and Unstoffe (played by Iain Cuthbertson and Nigel Plaskitt), the main bad guy\’s right-hand man Sholakh (played by Robert Keegan), and the old hermit Binro (played by Timothy Bateson). I really liked the exchanges between Unstoffe and Binro.

The negative cast performances stem mostly from the almost compulsory late-Tom Baker/Williams era failing of overly-melodramatic and ham acting from some actors. The Spam Awards for this story go, in particular, to The Seeker (played by Anne Tirard) and the annoyingly exaggerated cartoon villain/insane galactic ex-tyrant ruler the Graff Vynda-K (played by Paul Seed). This type of pantomime acting has always been one of the things that I find really irritating in Doctor Who, and I really do consider it the bane of the classic series.

And then there\’s Prentis Hancock, playing the Shrieve Captain. Prentis is a lovely bloke, but every time I\’ve seen him in any television role (and I\’ve seen him in quite a few), he seems to play the same brooding, angry, unsociable stereotype. I dunno whether he\’s just been typecast in that role, or it\’s simply because he\’s lazy and is comfortable playing the same part over and over again, but I don\’t recall ever seeing him do any other character than the same stereotype that he\’s played so many times in Doctor Who and elsewhere. Even as a regular cast member on Space: 1999, most of the time he seemed to be playing a barely slightly more mellow version of the same grumpy, permanently angry character.

Last but not least, let\’s not forget this story\’s scary monster, the Shrievenzale, which was about as scary as Kermit the Frog, if you ask me. In other words, complete crap. The Shrievenzale is one of those Doctor Who monsters which is very dodgy-looking and barely any better than the infamous Myrka from Warriors of the Deep.

Still, aside from those few small quibbles, I quite enjoyed The Ribos Operation. Next time out, I\’ll be giving my views on The Stones of Blood.

Another Doctor Who Night In (Part Two)

In my last post I detailed my latest recent DVD-watching binge of Doctor Who stories, the recent choices all being Tom Baker stories. Last night I watched a couple more Doctor Who stories, switching this time to Jon Pertwee and the two Auton classics, Spearhead from Space (Special Edition) and Terror of the Autons, as featured on the Mannequin Mania DVD box set.

Spearhead from Space is one of my favourite Pertwee stories. When Jon Pertwee fell out of the TARDIS, almost exactly one month after my ninth birthday, I wasn\’t too pleased. I\’d been a Pat Troughton fan since I first started really paying attention to Doctor Who back in 1966 or so, at the young age of five-going-six years old. Up until that point in my life, he was the only Doctor I\’d known, as I\’d been too young to really remember Hartnell, although I\’d doubtless seen a few of his as well, and had a view brief flashes and memory fragments of several stories.

So when Troughton left, and this new guy, Pertwee, took over, I was not a happy camper. But that mood didn\’t last for long. By the end of the first episode of Spearhead, I\’d completely forgotten about Troughton, and Pertwee was now most definitely The Doctor in my eyes. The sheer excellence of the story itself greatly eased the transition, and at that tender age, I found the concept of the Nestene Consciousness, and in particular the Autons, very scary and unnerving. For years afterwards, I was extremely nervous whenever I walked past any department store window. My young imagination already had the shop front dummies ready to smash through the windows and grab me. 🙂

Terror of the Autons is also a good story, but it never quite had the same impact on me as Spearhead from Space, although to this day, I still hate plastic flowers, plastic chairs and telephone cables. 🙂 The Autons in this one (except for the cops) weren\’t quite as frightening as those in Spearhead. With their massive heads and their circus background, they looked faintly silly and ridiculous, although the fight sequences with the UNIT troops were excellent.

However, this was the story that first introduced The Master, played by the late, great Roger Delgado, who quickly became a great favourite of mine. For that reason alone Terror of the Autons will always hold a fond spot in my heart. The story also introduced the new companion, cute and cuddly Jo Grant, played by Katy Manning, who joined Brigadier Lethbridge-Stewart, Captain Yates, Corporal Benton and the rest of the UNIT cast, and who was to be at Pertwee\’s side for the next three years of his run on the show. The classic and much-lauded \”UNIT family\” was now well and truly in place to usher in a new and one of the most fondly-remembered periods in the show\’s history.

Overall, another cracking night\’s viewing on the Doctor Who front.

Another Doctor Who Night In
(Part Two)

[I]n my last post I detailed my latest recent DVD-watching binge of Doctor Who stories, the recent choices all being Tom Baker stories. Last night I watched a couple more Doctor Who stories, switching this time to Jon Pertwee and the two Auton classics, Spearhead from Space (Special Edition) and Terror of the Autons, as featured on the Mannequin Mania DVD box set.

Spearhead from Space is one of my favourite Pertwee stories. When Jon Pertwee fell out of the TARDIS, almost exactly one month after my ninth birthday, I wasn\’t too pleased. I\’d been a Pat Troughton fan since I first started really paying attention to Doctor Who back in 1966 or so, at the young age of five-going-six years old. Up until that point in my life, he was the only Doctor I\’d known, as I\’d been too young to really remember Hartnell, although I\’d doubtless seen a few of his as well, and had a view brief flashes and memory fragments of several stories.

So when Troughton left, and this new guy, Pertwee, took over, I was not a happy camper. But that mood didn\’t last for long. By the end of the first episode of Spearhead, I\’d completely forgotten about Troughton, and Pertwee was now most definitely The Doctor in my eyes. The sheer excellence of the story itself greatly eased the transition, and at that tender age, I found the concept of the Nestene Consciousness, and in particular the Autons, very scary and unnerving. For years afterwards, I was extremely nervous whenever I walked past any department store window. My young imagination already had the shop front dummies ready to smash through the windows and grab me. 🙂

Terror of the Autons is also a good story, but it never quite had the same impact on me as Spearhead from Space, although to this day, I still hate plastic flowers, plastic chairs and telephone cables. 🙂 The Autons in this one (except for the cops) weren\’t quite as frightening as those in Spearhead. With their massive heads and their circus background, they looked faintly silly and ridiculous, although the fight sequences with the UNIT troops were excellent.

However, this was the story that first introduced The Master, played by the late, great Roger Delgado, who quickly became a great favourite of mine. For that reason alone Terror of the Autons will always hold a fond spot in my heart. The story also introduced the new companion, cute and cuddly Jo Grant, played by Katy Manning, who joined Brigadier Lethbridge-Stewart, Captain Yates, Corporal Benton and the rest of the UNIT cast, and who was to be at Pertwee\’s side for the next three years of his run on the show. The classic and much-lauded \”UNIT family\” was now well and truly in place to usher in a new and one of the most fondly-remembered periods in the show\’s history.

Overall, another cracking night\’s viewing on the Doctor Who front.

Another Doctor Who Night In

[W]e had another nice Doctor Who night last night at our place, watching several classic Who DVDs. Again, like last time out, they\’re all Tom Baker stories, two from the Philip Hinchcliffe era and the third from the Graham Williams era.

We started off with The Seeds of Doom, one of my favourite stories from the Philip Hinchcliffe \”Gothic Horror\” era of the classic series, a four-year period that remains, to this day, my favourite-ever era in the history of Doctor Who, either Classic or New series. This is quite a scary one, with the Krynoid very reminiscent of the plant creature in the first 1953 Quatermass serial. Doctor Who, especially the classic series, was very heavily influenced by Quatermass. Always copy the best, that\’s what I say! 🙂

This was followed by The Deadly Assassin, the rather controversial story which showcased the \”reinvention\” of the Time Lords. This one got some of the more purist fans of the original, near-omnipotent Time Lords in a bit of a tizzy, and I have to admit that I found myself sometimes wondering how this bunch of incompetent bureaucrats could ever have been the lords of time and space. The story also featured the first reappearance of The Master since the Pertwee era, a welcome return. The Deadly Assassin is an excellent tale, always rated among one of the greatest of the classic series, although I wouldn\’t rate it as one of my own personal biggest favourites (I do like it, however).

To wrap up the evening, we finished off with another highly-rated classic, City of Death, which I also quite like, although, again, I wouldn\’t rate it in my own personal Top Ten Classic Who stories. I was never as fond of the Graham Williams era as I was of the Hinchcliffe era. Tom Baker was allowed to do his own thing far too much, and often hammed it up a lot, with the humour getting a bit silly and slapstick at times. I much preferred the more scary and serious feel of the Hinchcliffe era, when Baker\’s humour was much more subdued and subtle, and he played the role totally straight. That said, City of Death was definitely one of the best stories of the Williams era. Scaroth was one of the better villains that the fourth Doctor faced, and I\’ve always found the concept of the Jagaroth, a ruthless alien race which terrorized the galaxy half a billion years ago, to be something that I\’d love to see revisited again. Maybe in the new series. The TARDIS can go anywhere, after all.

Anyway, that was another really enjoyable evening. Here\’s looking forward to watching some more Doctor Who soon.

Some Nice Saturday Night Viewing

[I]t\’s been an interesting Saturday evening so far on the television. I\’ve been watching a couple of interesting sci-fi items which are helping wile away some time before I head out for my customary Saturday night out on the town.

First up was The Ultimate Guide to Doctor Who Part 2. The first part was a detailed look at the history of the Doctors and their companions, enemies and adventures during the Classic Series. Tonight\’s second part was another hour long examination of the Doctor\’s life, this time starting with Paul McGann and working through the first three Doctors of the new series.

Right now, I\’m watching a very good time travel film, Looper (2012), a nice, twisty, paradox-y time travel tale. There are a few big-name actors in this one, including Bruce Willis, Jeff Daniels, Emily Blunt and Joseph-Gordon Lovett. It\’s just ended a minute ago, and I gotta say that I didn\’t see that one coming. 🙂