VOYAGERS IN TIME edited by Robert Silverberg

[I]n my last SF Anthologies post I commented that I\’d recently bought a couple of nice old SF anthologies from Amazon UK. I made a few comments about the newer of the two anthologies, TRIPS IN TIME and gave a contents listing for it. Here\’s the same routine for the second anthology, which was published ten years earlier, but can be considered a \”companion\” anthology, from a thematic viewpoint, since both books contain short stories about time travel. This one is VOYAGERS IN TIME, edited by Robert Silverberg.

TITLE: VOYAGERS IN TIME – Twelve Stories of Science Fiction
EDITED BY: Robert Silverberg
CATEGORY: Short Fiction
SUB-CATEGORY: Anthology
PUBLISHER: Meredith Press, New York, 1967
FORMAT: Hardcover, 243 pages.

This anthology is a collection of more traditional (but still fun) time travel stories than those in TRIPS IN TIME. The stories in this one span a thirty year period, the earliest originally published in 1937, and the last in 1967. Here\’s a listing of the contents:

  • The Sands of Time by P. Schuyler Miller (1937)
  • …And It Comes Out Here by Lester del Rey (1950)
  • Brooklyn Project by William Tenn (1948)
  • The Men Who Murdered Mohammed by Alfred Bester (1964)
  • Time Heals by Poul Anderson (1949)
  • Wrong-Way Street by Larry Niven (1965)
  • Flux by Michael Moorcock (1963)
  • Dominoes by C. M. Kornbluth (1953)
  • A Bulletin from the Trustees by Wilma Shore (1964)
  • Traveler\’s Rest by David I. Masson (1965)
  • Absolutely Inflexible by Robert Silverberg (1956, revised version 1967)
  • THE TIME MACHINE [Chapter XI, XII – part] by H. G. Wells (1895)

This looks like another very interesting anthology of short fiction. Silverbob certainly does know how to put together a good anthology of stories. Again, some of them I remember well (Wells, Bester, Tenn, and Moorcock), others I vaguely remember (Miller, del Rey, Anderson, Niven, Kornbluth and Silverberg), and the last two I\’m not familiar with at all (Shore, Masson).

As I\’ve already said, this is a kinda/sorta \”sister\” anthology to the later TRIPS IN TIME (1977), which is a more unusual and quirky collection of time travel tales. I\’ve already read several of the stories in TRIPS IN TIME, but now I\’ve started reading some of the stories in VOYAGERS IN TIME as well. I\’m dipping in and out of both books, and it will be nice to compare the two anthologies when I\’ve finished both of them.

As usual, I\’m working my way through the stories in both books slowly, as and when I get free time to do so, and not in any kind of order. I\’ll just pick stories at random, usually with favourite authors first and working my way to least favourite or least familiar. Once I\’ve finished I\’ll start posting comments on individual stories (with the exception of the excerpts from The Time Machine, as I\’ll be reviewing the novel at some point), and comments on the two anthologies as a whole.

VOYAGERS IN TIME edited by Robert Silverberg

TITLE: VOYAGERS IN TIME – Twelve Stories of Science Fiction
EDITED BY: Robert Silverberg
CATEGORY: Short Fiction
SUB-CATEGORY: Anthology
PUBLISHER: Meredith Press, New York, 1967
FORMAT: Hardcover, 243 pages.

In my last post I commented that I\’d recently bought a couple of nice old SF anthologies from Amazon UK. I made a few comments about one of the anthologies, TRIPS IN TIME and gave a contents listing for it. Here\’s the same routine for the other anthology, which was published ten years earlier, but can be considered a \”companion\” anthology, from a thematic viewpoint, since both books contain short stories about time travel. The second of the two anthologies is VOYAGERS IN TIME, edited by Robert Silverberg.

This anthology is a collection of more traditional (but still fun) time travel stories than those in TRIPS IN TIME. The stories in this one span a thirty year period, the earliest originally published in 1937, and the last in 1967. Here\’s a listing of the contents:

  • The Sands of Time by P. Schuyler Miller (1937)
  • …And It Comes Out Here by Lester del Rey (1950)
  • Brooklyn Project by William Tenn (1948)
  • The Men Who Murdered Mohammed by Alfred Bester (1964)
  • Time Heals by Poul Anderson (1949)
  • Wrong-Way Street by Larry Niven (1965)
  • Flux by Michael Moorcock (1963)
  • Dominoes by C. M. Kornbluth (1953)
  • A Bulletin from the Trustees by Wilma Shore (1964)
  • Traveler\’s Rest by David I. Masson (1965)
  • Absolutely Inflexible by Robert Silverberg (1956, revised version 1967)
  • THE TIME MACHINE [Chapter XI, XII – part] by H. G. Wells (1895)

This looks like another very interesting anthology of short fiction. Silverbob certainly does know how to put together a good anthology of stories. Again, some of them I remember well (Wells, Bester, Tenn, and Moorcock), others I vaguely remember (Miller, del Rey, Anderson, Niven, Kornbluth and Silverberg), and the last two I\’m not familiar with at all (Shore, Masson).

As I\’ve already said, this is a kinda/sorta \”sister\” anthology to the later TRIPS IN TIME (1977), which is a more unusual and quirky collection of time travel tales. I\’ve already read several of the stories in TRIPS IN TIME, but now I\’ve started reading some of the stories in VOYAGERS IN TIME as well. I\’m dipping in and out of both books, and it will be nice to compare the two anthologies when I\’ve finished both of them.

As usual, I\’m working my way through the stories in both books slowly, as and when I get free time to do so, and not in any kind of order. I\’ll just pick stories at random, usually with favourite authors first and working my way to least favourite or least familiar. Once I\’ve finished I\’ll start posting comments on individual stories (with the exception of the excerpts from The Time Machine, as I\’ll be reviewing the novel at some point), and comments on the two anthologies as a whole.

TRIPS IN TIME edited by Robert Silverberg

[R]ecently I bought a couple of nice old SF anthologies from Amazon UK, both edited by Robert Silverberg. The first of the two is:

TITLE: TRIPS IN TIME – Nine Stories of Science Fiction
EDITED BY: Robert Silverberg
CATEGORY: Short Fiction
SUB-CATEGORY: Anthology
PUBLISHED: Wildside Press, 1977
FORMAT: Trade paperback, 152 pages.

The anthology is a collection of quirky time travel stories, which span a thirty-five year period, the earliest being originally published in 1941, and the last in 1976. Here\’s a listing of the contents:

  • An Infinite Summer by Christopher Priest (1976)
  • The King\’s Wishes by Robert Sheckley (1953)
  • Manna by Peter Phillips (1949)
  • The Long Remembering by Poul Anderson (1957)
  • Try and Change the Past by Fritz Leiber (1958)
  • Divine Madness by Roger Zelazny (1966)
  • Mugwump 4 by Robert Silverberg (1959)
  • Secret Rider by Marta Randall (1976)
  • The Seesaw by A. E. van Vogt (1941)

This looks like a very interesting anthology of short fiction. Some of these stories I remember well as old favourites (the Priest and Leiber), others I vaguely remember (Sheckley, Anderson, Zelazny, van Vogt, Silverberg), and the other two I\’m not familiar with at all (Phillips, Randall).

Apparently this is a kinda/sorta \”sister\” anthology to an earlier one, VOYAGERS IN TIME (1967), which is a more traditional/typical collection of time travel tales. That\’s the other paper book I mentioned, and I\’ll get to that anthology once I\’ve finished with this one. It will be nice to compare the two collections of short stories.

I\’m looking forward to working my way through TRIPS IN TIME (however slowly, and most likely not in order of the contents listing), and will make a short progress report in this discussion thread as I finish each story.

Welcome to Science Fiction Reader

Welcome to the new Science Fiction Reader blog.

This blog is focused solely on science fiction literature, and is intended to review and recommend the best – in other words, my favourite 🙂 – SF anthologies and single-author short fiction collections that I\’ve come across over the years, as well as any new material that I happen to read along the way. There will, of course, be the occasional posting about individual short stories, novelettes and novellas (and the VERY occasional novel, although I tend to read very few of those these days).

As such, the nature of these blog posts will be very subjective, focused purely on what I like, rather than made up from lists of mainstream \”Best-Sellers\” (I read very few Best-Sellers, to be honest). There are numerous blogs and websites \”out there\” reviewing the best of current mainstream SF&F, and I don\’t intend to reinvent the wheel. I want this site to be something different, an individual fan\’s (that\’s me) totally subjective views on the SF that he has read over the years.

My own tastes in SF are very heavily biased towards short fiction and older/classic SF, so those tastes will be reflected in the posts that I make here. I have a huge collection of SF novels, individual author short story collections, and anthologies of short fiction by a range of various authors, some of them very old and remembered only by a few of the \”wrinklies\” out there. So there will be no shortage of material to review.

I also have some pretty eclectic and obscure tastes when it comes to older SF, so there will be quite a few posts spotlighting \”forgotten\” gems from the earlier days of the genre, as I attempt to bring them not only to the attention of the younger generation of SF readers who have never seen these stories before, but also to jog the memories of older readers who might have read some of these stories way back at the dawn of time.

I\’m a huge fan of Classic Space Opera, Hard SF, and their modern mutant offspring, New Space Opera. I absolutely LOVE New Space Opera! It\’s easily my favourite sub-genre of modern SF. So there will obviously be a few posts featuring some of the best new releases in New Space Opera novels and short fiction.

Okay, I\’m off now to do some reading. I\’ll not be making many reviews if I sit around here all day yapping. 🙂

DJ Phil, a Brief Career Introspective – The Early Years (Part Three)

Sometime around October-November 1986, the \”Gay Disco\” left the disastrous venue of the Union Hall and returned to its original home on the Magee College campus. A new Student\’s Union had opened, a temporary portacabin structure known as \”The Terrapin\”, which was to house all the student entertainment facilities until the current permanent Student\’s Union opened in September 1990.

As soon as the \”Gay Disco\” moved back to its original venue, the crowds came back and it returned to its former glory days again, with a packed house at every gig. The only fly in the ointment was that, from 1987-1990, until moving to the permanent Student\’s Union building, the entertainment license available to the Student\’s Union at that time only permitted the discos to play until 11.30pm. Admittedly, that was really irritating, but the solution was for the \”Gay Disco\” to begin earlier on Friday nights, and the revellers could then move onto another venue at 11.30 to continue the partying. Once the Student\’s Union moved into the new, permanent building, the late license permitted the disco to stay open until 1am. The \”Gay Disco\” would continue its association with myself and Magee College right up until 1998, when it moved out of Magee altogether and onto another permanent venue.

But back to late 1986, and the return of the \”Gay Disco\” to Magee, where a whole new chapter in my DJ career was to begin. As a direct result of that move, I was to begin my long residency as in-house DJ for the students in Magee Student\’s Union. After I\’d performed at several Magee gigs for the local gays, all the time under the watchful eyes of members of the Student\’s Union Bar Committee and a few students who attended the \”Gay Disco\” on Friday nights (still once a month), I was in for a really unexpected surprise. They must have really liked what they heard, because after only a couple of \”Gay Discos\”, I was approached by the Student\’s Entertainments Officer and asked if I would like to start as in-house DJ for the Student\’s Union, two nights a week, Tuesdays and Thursdays. I jumped at the offer, and thus began a very long residency as DJ at Magee Student\’s Union, all twenty-seven years of it, lasting right up until the end of September 2013, when I eventually decided to call it a day.

As I said, the closing time for discos at Magee during this period was 11.30pm, but we were all able to move on to another local nightclub afterwards to continue having even more fun, so things weren\’t so bad. For the first time since I\’d started as a DJ, back in 1980-1981, I was now in regular work, two nights each week (along with live bands) for the students, one friday night per month for the gays, and almost every Saturday night and Fridays that I wasn\’t in Magee, I was working random gigs outside of my regular workplace, mostly weddings, christenings and birthday parties. It was a good time during my DJ career, and this continued for over a decade, up until the end of the 1990s.

I detailed in my last post about the radically different nature of the music at the \”Gay Disco\” compared to my earlier gigs – mostly hi-energy dance, disco, funk, soul and pop. Well, the regular Student gig on Tuesdays and Thursdays added yet another dimension to my music. It had some music in common with the \”Gay Disco\”, mostly soul and late-1970s and early-1980s chart music, with lots of New Romantic tunes, which were very popular at that time. But there was also quite a bit of classic rock and glam rock music, such as Jimi Hendrix, The Doors, Jefferson Airplane, Cream, Pink Floyd, Deep Purple, Led Zepplin, T-Rex, The Sweet and Gary Glitter, and some hard rock favourites such as Thin Lizzy, AC/DC, Guns \’n\’ Roses and Black Sabbath.

But, aside from the above music, if I was to give a general description of the overall tone of the music that I was playing at the Student\’s Union in those early days of 1986-1990, I\’d have to say \”alternative\”. That\’s how student music was back then. Lots of punk rock, post-punk, early goth, ska, reggae and general New Wave, and indie/alternative music. The Sex Pistols, the Damned, the Clash, the Buzzcocks, Siouxsie and the Banshees, Killing Joke, the Fall, early U2 and Simple Minds, Echo and the Bunnymen, the Teardrop Explodes, early B-52s, the Pixies, Bauhaus, Joy Division, early New Order, the Police, the Beat, Madness, the Specials, the list goes on and on. It was a classic era for music at the Student\’s Union.

I played my final gig in the old (portacabin) \”Terrapin\” in June 1990, before it was finally demolished during the summer to make way for the new, permanent Student\’s Union, where I was to play my first gigs at the start of October 1990. This was to be the start of yet another new era in my career as a DJ. But I\’ll leave that story for another time.

To Be Continued…

DJ Phil, a Brief Career Introspective – The Early Years (Part Two)

Last time out, I made the comment that, if I was going to get regular work, I\’d have to start gigging outside my comfort zone of the rock and alternative scene, sell my soul to the dark side and start playing at commercial discos.

Well, sometime in 1983 (I can\’t remember the exact date), and after several years of random, one-off soul, Northern Soul, punk, alternative, and hard rock discos (which I continued to gig at, by the way – the random gigs didn\’t just stop), I got my first regular gig. Actually, it was only one Friday night per month, but it was still my first \”regular\”. And the music certainly was different from anything that I\’d ever played before. Radically different. But it was most definitely NOT your typical Top 30 chart disco…

I\’d been asked by some close friends if I would start playing once a month at a regular disco for the local gay community, which I thought was quite amusing, as I\’m a card-carrying heterosexual myself. I was delighted to say \”yes\”, and this was to begin a fifteen-year association between myself and the gay community, during which I was the official DJ, from 1983-1998, at what everyone in Derry almost universally referred to as the \”Gay Disco\”. For the first couple of years, the disco was held in Dill House, an old Victorian red brick building which served as the Student\’s Union at the local University of Ulster campus, sited at Magee College, a nice, quiet spot on the outskirts of the town, well away from the city centre.

Back in the early-1980s, the local gay music scene (and gay society as a whole) was much more underground and progressive than it is today. Many younger gays might disagree with me, but I\’d argue that, in taking huge strides towards becoming more accepted and assimilated into \”normal\” society, the gay scene (in my town, at least), AND its music have lost their edge and become not only extremely similar to the \”mainstream\”, but, dare I say it, bland and dull, at least in comparison to the underground heyday of the 1980s, when virtually \”anything goes\” was the norm on the local gay scene.

Back in those days, anyone of LGBT orientation usually tried not to display their true nature and behaviour too much in public, in fear of the rampant homophobia (gay-bashing was pretty common in our town) in mainstream local society. The \”Gay Disco\” and other similar venues were usually in less central (to city centres) venues, well out of sight of any hostile anti-gay groups, and were places where gays of all shades could feel safe, let their hair down, and have fun. And, boy, did those people know how to have fun!

Everything about the \”Gay Disco\” was, exhibitionist, loud, and Proud To Be Gay. From the patrons themselves, many in drag, all trying to outdo each other with the most outrageously camp behaviour and dancing, to the music, which was, with very few exceptions (maybe a very short \”slow set\”), relentlessly upbeat in tempo. Aside from a handful of the better dance songs from the charts, it was non-stop classic soul, disco, funk, eurodance, and gay club anthems, many of which I had never even heard before. At the very beginning, I didn\’t know whether I was coming or going half the time, and I was certainly winging it for the first few gigs before I started to find my feet. 🙂

Well, I had to learn the ropes pretty darned fast, I can tell you. So I went out and started hunting down some completely new (new to me, anyway) types of music, most of it unique to the gay music scene, just for this one monthly gig. As a guy who was accustomed to playing loud, heavy, guitar music to hairy rockers, or frenetic punk riffs and weird New Wave tunes to spikey-haired \”fraggles\”, punks and skinheads, this was like stepping into a completely different world. There wasn\’t a hard rock or punk rock tune in sight. Absolutely NO guitar music at the \”Gay Disco\”.

And y\’know what? It was FUN! For a long time, the \”Gay Disco\” was the place to be for the best nightlife in Derry. Even the \”straights\” from the town (in the shape of crowds of gay-friendly punks and \”fraggles\”), looking for a late-night spot to hang out, would land up in large numbers at around 1.30am or 2am with their carry-outs (it was a \”bring your own booze\” gig), as the other pubs in the town would close around 1am, and the \”Gay Disco\” continued on sometimes until 3am or even 3.30am. For a couple of years, from 1983-1985, it was the best disco in the town.

But that all got put on hold for a year or two, as things temporarily took a turn for the worse on the gay social scene. The new, growing university campus at Magee College was being greatly expanded and redeveloped, with many of the older Victorian buildings demolished to make way for the brand spanking new modern university buildings. Unfortunately for the \”Gay Disco\”, venerable old Dill House was scheduled for demolition, and at some point during early 1985, the \”Gay Disco\” found itself without a home.

A quick relocation of venue was organized, but, unfortunately it was a very bad move, to the Union Hall, which was right bang smack in the centre of town, beside the city walls. This was very hostile territory for gays, with gangs of drunken \”gay bashers\” roaming the town and waiting outside at the end of each gig to give some unfortunate victims a beating. So very few gays actually ever went to this gig (there were rarely any more than a couple of dozen people at each disco), bar a handful of hardcore, brave, hardy souls. The \”Gay Disco\” limped along in limbo to near-empty halls for the best part of a year and a half.

Then, in late 1986, the \”Gay Disco\” returned to its original home on the Magee College campus, and a whole new chapter in my DJ career was to begin…

To Be Continued…

Frederik Pohl (1919-2013)

Back in June of this year, I made a blog posting about the tragically sad and untimely passing of one of my favourite SF authors, Iain M. Banks, who we lost to cancer at the far, far too young age of 59. He was merely the latest in a long line of all-too frequent announcements of the passing of yet another top SF author.

This past year or so has been particularly unkind to the world of SF, with the loss of far, far too many great authors. We lost Ray Bradbury (91) in June 2012, and Harry Harrison (87) in August 2012. Most recently, we also lost Jack Vance (96) and movie special effects wizard Ray Harryhausen (91), both in May 2013. True, unlike Iain Banks, these other \”greats\” were from an earlier era, and all lived to a grand old age (totalling a combined age of 365), with Harry Harrison being the \”youngest\” to die (if I manage to live till I\’m 87, I\’ll be more than happy). But they were all giants of the genre, and their passing diminishes and saddens all of us.

And only last night, I come online to find out that we\’ve lost yet another one. Science Fiction Grand Master and one of the true titans of the genre Frederik Pohl passed away yesterday, September 2nd, 2013, at the grand old age of 93. Fred Pohl had been with us seemingly since the dawn of time, or, more accurately, since before the Golden Age of Science Fiction began, way back at the end of the 1930s (his first published work was the 1937 poem \”Elegy to a Dead Satellite\”). I\’m one of those many people who felt almost as though he was going to be with us forever, although that was sadly never going to happen. But it still hurts that he\’s now gone.

When I first read the news last night, on a Google+ status update by SF author David Brin, all I could do was stare at the computer monitor with a lump in my throat and tears in my eyes. Even though he was so old, and we\’ve been expecting this to happen for some time now, it still came as a complete shock. I\’m absolutely, absolutely gutted by this terribly sad news.

Isn\’t it strange how we can get so upset about the passing of someone that we\’ve never even met in person? But Fred Pohl (and his writing) was more real, more vivid, and more important to me than any of the thousands of faceless Joes and Josephines that I see walking the streets of my home town every single day. I\’m fifty-two years old now, and I\’ve been reading SF since I was about eight years old. I\’ve been a huge fan of Pohl\’s writing since I first encountered him in my early teens. He\’s like an old friend, and I\’m so, so sad to see him leave us, even if he was just a shade over six years off his 100th birthday.

I love the writing of many SF greats, but Frederik Pohl was a particular favourite of mine, and was a huge part of my overall life as an SF reader, as I\’ve been a fan of his writing since way back in the early-to-mid 1970s. His SF novels were some of my favourites, among them GATEWAY and the other Heechee books, MAN PLUS, THE SPACE MERCHANTS (with Cyril M. Kornbluth), SEARCH THE SKY (with Kornbluth), GLADIATOR-AT-LAW (with Kornbluth), WOLFBANE (with Kornbluth), MINING THE OORT, JEM, SYZYGY, STARBURST, THE AGE OF THE PUSSYFOOT, DRUNKARD\’S WALK and many, many other classics. These still grace my bookshelves to this day, and all are long overdue for a re-read.

I\’ve also always been a huge fan of his short fiction, going right back to the Golden Age of the 1940s, when he wrote much of his fiction under the pseudonym James MacCreigh. I still remember \”Wings of the Lightning Land\” with fondness, one of the earliest Pohl stories that I read (although for many years I never realized that James MacCreigh and Frederik Pohl were one and the same). A fantastic Pohl collection to read for this early stuff is THE EARLY POHL (1976), which contains a bunch of his James MacCreigh stories. Great stuff!

Of the short fiction that he wrote under his own name, one of the earliest that I read, and one that has stuck in my mind all these years, is \”Let the Ants Try\” (1949). The ending of that story still sends chills up my spine, even now, forty years after I first read it. But he also wrote so many other memorable short stories. \”Day Million\”, \”The Tunnel under the World\”, \”The Midas Plague\”, \”The Man Who Ate the World\”, \”Critical Mass\”, \”The Abominable Earthman\”, \”The Gold at the Starbow\’s End\”, \”In the Problem Pit\” and so, so many others. What an awesome, awesome writer.

He was also hugely influential in SF as an editor throughout the 1960s, on classic SF magazines Galaxy and its sister publication If. And over the decades he has edited so many of my favourite SF anthologies that I wont even start listing them, or I\’ll be here all evening. In an eerily weird stroke of synchronicity, just a few days ago I was re-reading one of my very favourite classic anthologies, SCIENCE FICTION: THE GREAT YEARS, edited by a certain Frederik Pohl and his then-wife Carol, and in that anthology was \”Wings of the Lightning Land\”, by some dude called James MacCreigh. I hadn\’t read that book and story in many, many years, and I just had to pick the week that Frederik Pohl dies to read it again. Wow! How creepy is that? 🙂

I\’ve also been following his blog, The Way the Future Blogs, assiduously over the past couple of years. I\’ve been really loving his recollections about the past history of SF, and I am just so, so gutted that he\’s gone, and we\’ll never see another one of those charming, fascinating blog posts ever again. Tragic.

I\’m going to miss the writings of this great man, but he\’s left a huge body of work out there for all of us to enjoy. He should be compulsory reading for all SF fans, old and young.

RIP Fred. You done well.

DJ Phil, a Brief Career Introspective – The Early Years (Part One)

Since I\’m a DJ and (obviously) one of my greatest passions in life is music, I reckon that the time\’s long overdue for me to start up a music blog, something covering both my thoughts and memories about music AND copious reviews of albums and specific music that I\’m a fan of. Given that I\’m a big fan of older music, I think that this rather retro, colourful theme suits the mood of my new blog perfectly. If it blinds anyone, just stick on the old sunglasses. 🙂

But before I start posting any music reviews, I\’m going to make a few introductory posts detailing my own personal music history, both as a fan and as a DJ. To set the ball rolling, here\’s the first part of a short history of how I first started out as a DJ in my home town of Derry, Northern Ireland, and how my career has progressed (or not) up until the present day.

Well, I\’ve been a DJ for a long, long time. Somewhere around thirty-two, maybe thirty-three years. I\’m pretty sure that I started sometime in 1980, maybe early-1981 (I was nineteen or twenty years old at the time), although I can\’t recall the exact date of my first gig, which is now lost somewhere in the mists of time. I know it was backing some local band or another. Most other young local DJs tended to start off helping out more experienced, more established DJs at discos, playing the start of shows before the main DJ took over. Me, I had to be different. I started off backing local alternative and rock bands at gigs.

Back in those days, I was heavily into the alternative and rock music (both hard and classic) scenes, a much bigger fan of those types of music than of more commercial pop music, and I had (still have) an enormous collection of that type of music on vinyl, both singles and LPs. In these early days, I always stayed the hell away from the safe option of playing any Top 30 chart hits at gigs, unless absolutely necessary (and I mean ABSOLUTELY necessary, like someone-has-a-gun-to-my-head necessary), and I very quickly started to gain a reputation for playing more adventurous, non-mainstream music at gigs, which of course began attracting those audiences with less commercial tastes in music. Pretty soon I had a nice little following.

Luckily for me the local alternative and rock scenes in my hometown were buzzing back in those days, and work was plentiful, if a bit sporadic. Within a few months, I was a regular feature, playing as backup DJ with local bands, almost always punk rock, New Wave and hard rock bands. This led me, shortly after that, to start spreading my wings a bit, breaking away from backing up groups on the band scene and playing my first solo discos.

All of these early solo gigs were one-off rock and alternative nights, most of them 21st birthday parties or something similar for friends who just happened to be rockers or punks, as those were the kind of people that I hung out with. It was a great thing being able to play only the kind of music that I really liked, for people in my own social circles, who liked exactly the same kind of music. 🙂

But even back in those earliest days, I was starting to realize that if I wanted to actually get regular work, to become really successful as a DJ on the local scene, I\’d have to start gigging outside of my comfort zones, at more commercial music discos. Which brings me to my first regular gig as a DJ…

To Be Continued…